Summary
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Narrative Complexity by Marina Grishakova
The variety in contemporary philosophical and aesthetic thinking as well as in scientific and experimental research on complexity has not yet been fully adopted by narratology. By integrating cutting-edge approaches to complexity, this book takes a step toward establishing the interdisciplinary field of complex narrative studies.-
Story Logic
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Narrative Across Media
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Storyworlds Across Media
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Handbook of Narrative Analysis
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Narrative Slowness As Effect
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The Imagined Moment
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Writing at the Limit
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Refiguring Minds in Narrative Media
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Storying Domestic Violence
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Useful Fictions
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Transmedial Narratology and Contemporary Media Culture
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Contemporary Comics Storytelling
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Imagining Kashmir
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The Postcolonial Bildungsroman and the Character of Place
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Talk Fiction
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Swallowing a World
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Spaces of the Mind
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Opening Acts
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Stories and Minds
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The Cruft of Fiction
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Unnatural Narrative
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Strange Narrators in Contemporary Fiction
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Narrative Beginnings
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Coincidence and Counterfactuality
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Ethos and Narrative Interpretation
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Affective Narratology
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Fictional Dialogue
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Fictional Minds
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The Emergence of Mind
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The Storyworld Accord
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New Narratives
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Possible Worlds Theory and Contemporary Narratology
“Encyclopedic in scope, Narrative Complexity surveys a dazzling variety of genres, media forms, and theories about complexity, including artistic, literary, and scientific examplesContributions by many eminent narratologists make this an invaluable work and essential reading for anyone interested in how the conjunction of narrative and complexity can be configured and interrogated. Kudos to the editors for introducing and assembling this remarkable collection.”-N. Katherine Hayles, author of Unthought: The Power of the Cognitive Nonconscious “Challenging the distinction between ‘simplicity’ as primary and primordial and ‘complexity’ as secondary and derived from simplicity, these far-ranging studies make the case that human cultures and minds are inherently complex. They are indeterminate and uncertain. This holds particularly true for narrative discourse, which is at the heart of culture and mind. Understanding homo narrans means understanding the human being in the world in its most complex forms. As a consequence, narrative studies have to refine their intellectual instruments-conceptually, empirically, hermeneutically-in the ways impressively explored in this volume.”-Jens Brockmeier, professor of psychology at the American University of Paris
“This volume opens a new window on the emergence of narratology within the context of complexity theory. In contrast to its phase of pluralization in the form of diverse models and paradigms, narratology, by turning to complex phenomena such as self-organization, nonlinearity, recursion, and nonhierarchical relations in various media, is exploring new domains where the interactions between embodied cognition and social and cultural embeddedness are redefining the contours of narrative. Narrative Complexity bears witness to the repositioning of the ‘conditions of possibility’ of narratology.”-John Pier, University of Tours and CRAL (CNRS), Paris
“This volume opens a new window on the emergence of narratology within the context of complexity theory. In contrast to its phase of pluralization in the form of diverse models and paradigms, narratology, by turning to complex phenomena such as self-organization, nonlinearity, recursion, and nonhierarchical relations in various media, is exploring new domains where the interactions between embodied cognition and social and cultural embeddedness are redefining the contours of narrative. Narrative Complexity bears witness to the repositioning of the ‘conditions of possibility’ of narratology.”-John Pier, University of Tours and CRAL (CNRS), Paris
Marina Grishakova is a professor of comparative literature at the University of Tartu in Estonia. She is the author of The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames and the coeditor of Intermediality and Storytelling. Maria Poulaki is a lecturer in film and digital media arts at the University of Surrey and the coeditor of Compact Cinematics: The Moving Image in the Age of Bit-Sized Media.
| SKU | Unavailable |
| ISBN 13 | 9780803296862 |
| ISBN 10 | 080329686X |
| Title | Narrative Complexity |
| Author | Marina Grishakova |
| Series | Frontiers Of Narrative |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | University of Nebraska Press |
| Year published | 2019-08-01 |
| Number of pages | 468 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |































