The Norton Shakespeare by Stephen Greenblatt
Organized by genre, this volume includes the genre introductions enthusiastically received in The Norton Shakespeare, Second Edition: “Shakespearean Tragedy” by Stephen Greenblatt, “Shakespearean Comedy” by Katharine Eisaman Maus, “Shakespearean History” by Jean E. Howard, and “Shakespearean Romance” by Walter Cohen. Like its parent volume, this concise edition gives students the vibrant introductions, readable single-column format, helpful glosses and notes, and extensive reference materials—maps, a timeline, annotated bibliographies and film lists, documents—that have made The Norton Shakespeare, Second Edition the best-selling classroom edition worldwide.
Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. A leading scholar of English Renaissance literature, he serves as general editor of The Norton Anthology of English Literature and The Norton Shakespeare. He is the author of fourteen books, including Dark Renaissance and the Pulitzer Prize– and National Book Award–winning The Swerve. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins), The Early Seventeenth Century, is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare, Inwardness and Theater in the English Renaissance, and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of The Norton Shakespeare, English Renaissance Drama: A Norton Anthology, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for Inwardness and Theater.
| SKU | Unavailable |
| ISBN 13 | 9780393933130 |
| ISBN 10 | 039393313X |
| Title | The Norton Shakespeare |
| Author | Stephen Greenblatt |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | WW Norton & Co |
| Year published | 2009-02-10 |
| Number of pages | 1856 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |