
Not for Specialists by Wd Snodgrass
35 new poems and selections from six previous collections including the Pulitzer Prize-winning Heart's Needle.-
Mules of Love
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Blessing the Boats: New and Selected Poems 1988-2000
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Good Woman
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Tell Me
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The Collected Poems of Lucille Clifton 1965-2010
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Fuel
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The City in Which I Love You
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Quilting
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Red Suitcase
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Metallic Seed Bead Splendor
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Book of My Nights
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Next
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The Fuehrer Bunker: The Complete Cycle
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The Rooster's Wife
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Kingdom Animalia
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Song
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Smoke
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Small Gods of Grief
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Carpathia
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the terrible stories
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You and Yours
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Dumb Luck
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Desire Lines
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Yin
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The Orchard
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Transfer
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Tulip Farms and Leper Colonies
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There's a Box in the Garage You Can Beat With a Stick
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The Vandals
From Publishers WeeklySnodgrass made his splash with Heart's Needle (1959), a careful sequence of rhymed poems about his marital troubles and his daughter: the volume helped create so-called "confessional poetry" and won a Pulitzer PrizeSnodgrass gave his later allegiance not to autobiography, but to technique, pursuing, on the one hand, sad, clear, lyrical poems and rueful epigrams, and on the other, ambitious if not quixotic multipoem projects. Among the former, most of the best are brand new: they take on subjects as disparate as twilight fireflies, the war in Iraq, hip replacements and the man who stole Snodgrass's credit card, in styles indebted to poets as different as Andrew Marvell and A.R. Ammons. One Ammons-like work is "The Führer Bunker," a cycle of poems about, and spoken by, Joseph Goebbels, Hermann Goering, Adolf Hitler and other members of Hitler's inner circle, completed in 1995. As if in reaction to that grim, ambitious achievement, other pieces here feature graceful measures and a light touch: a quartet of seasonal odes breathes new life into very old topics. This is a judicious selection from a significant oeuvre. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.From BooklistIf you think that writing primarily in rhyme and meter bespeaks equanimity, or sweetness of character, read Snodgrass. Oh, he mellows out in the face of nature, but he's prickly. But if it weren't for whatever propelled him out of three marriages, he wouldn't have written his extraordinary record of noncustodial fatherhood, "Heart's Needle," the title piece in his Pulitzer Prize-winning first collection, which retains undiminished its ring of truth and its emotional power. By the same token, though at some temporal remove, he couldn't have written the new poem about his first wife's latest marriage, conducted by the beloved daughter of his early masterpiece, who has since become an Episcopal priest. His many profoundly bemused and persuasive poems of love's tougher moments, his marvelous angry and denunciatory poems, and the chilling Fuehrer Bunker poems in the voices of the major Nazis during the war's last month--all these might have been impossible if Snodgrass was a nice, easygoing guy. He's not that sort, and his best work seems permanent because he isn't. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.From BooklistIf you think that writing primarily in rhyme and meter bespeaks equanimity, or sweetness of character, read Snodgrass. Oh, he mellows out in the face of nature, but he's prickly. But if it weren't for whatever propelled him out of three marriages, he wouldn't have written his extraordinary record of noncustodial fatherhood, "Heart's Needle," the title piece in his Pulitzer Prize-winning first collection, which retains undiminished its ring of truth and its emotional power. By the same token, though at some temporal remove, he couldn't have written the new poem about his first wife's latest marriage, conducted by the beloved daughter of his early masterpiece, who has since become an Episcopal priest. His many profoundly bemused and persuasive poems of love's tougher moments, his marvelous angry and denunciatory poems, and the chilling Fuehrer Bunker poems in the voices of the major Nazis during the war's last month--all these might have been impossible if Snodgrass was a nice, easygoing guy. He's not that sort, and his best work seems permanent because he isn't. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
W. D. Snodgrass is author of over twenty books of poetry, two books of literary criticism, and six volumes of translation. Honors include an Ingram Merrill Foundation award, Harold Morton Landon Translation Award, and fellowships from The Academy of American Poets, Ford Foundation, Guggenheim Foundation, and National Endownment for the Arts. He retired from teaching in 1994.
| SKU | Unavailable |
| ISBN 13 | 9781929918775 |
| ISBN 10 | 1929918771 |
| Title | Not for Specialists |
| Author | Wd Snodgrass |
| Series | American Poets Continuum |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | BOA Editions, Limited |
| Year published | 2006-05-18 |
| Number of pages | 251 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |




























