The Oxford Handbook of Dance and Competition
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The Oxford Handbook of Dance and Competition by Sherril Dodds
In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Consequently, ideas of winning and losing, success and failure, judgment and worth, influence the dance that we see and do. Across stage, studio, street, and screen, economies of competition impact bodily aesthetics, choreographic strategies, and danced meanings. In formalized competitions, dancers are judged according to industry standards to accumulate social capital and financial gain. Within the capitalist economy, dancing bodies compete to win positions in prestigious companies, while choreographers hustle to secure funding and attract audiences. On the social dance floor, dancers participate in dance-offs that often include unspoken, but nevertheless complex, rules of bodily engagement. And the media attraction to the drama and spectacle of competition regularly plays out in reality television shows, film documentaries, and Hollywood cinema. Drawing upon a diverse collection of dances across history and geography, The Oxford Handbook of Dance and Competition asks how competition affects the presentation and experience of dance and, in response, how dancing bodies negotiate, critique, and resist the aesthetic and social structures of the competition paradigm.
..this is an extremely valuable volume, offering fresh perspectives on dance and competition across an extensive spectrum, which opens up potentially fruitful avenues for future folk dance scholars to tread. * Theresa Buckland, University of Roehampton, Folk Music Journal *
he Oxford Handbook of Dance Competition challenges readers to think deeply about dance, competition, society, cultural norms, and what community means in the dance field. * Paula J. Peters, Journal Of Dance Education *
he Oxford Handbook of Dance Competition challenges readers to think deeply about dance, competition, society, cultural norms, and what community means in the dance field. * Paula J. Peters, Journal Of Dance Education *
Sherril Dodds is Professor of Dance at Temple University. Her research encompasses dance on screen, popular dance, and cultural theory. She is a founding member of the research network PoP MOVES. Her publications include Dance on Screen (Palgrave, 2001), Dancing on the Canon (Palgrave, 2011), and Bodies of Sound (Ashgate, 2013).
| SKU | Unavailable |
| ISBN 13 | 9780190639082 |
| ISBN 10 | 0190639083 |
| Title | The Oxford Handbook of Dance and Competition |
| Author | Sherril Dodds |
| Series | Oxford Handbooks |
| Condition | Unavailable |
| Publisher | Oxford University Press Inc |
| Year published | 2018-12-21 |
| Number of pages | 688 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |