
Paradata and Transparency in Virtual Heritage by Anna Bentkowska-Kafel
Computer-Generated Images (CGIs) are widely used and accepted in the world of entertainment but the use of the very same visualization techniques in academic research in the Arts and Humanities remains controversial. The techniques and conceptual perspectives on heritage visualization are a subject of an ongoing interdisciplinary debate. By demonstrating scholarly excellence and best technical practice in this area, this volume is concerned with the challenge of providing intellectual transparency and accountability in visualization-based historical research. Addressing a range of cognitive and technological challenges, the authors make a strong case for a wider recognition of three-dimensional visualization as a constructive, intellectual process and valid methodology for historical research and its communication. Intellectual transparency of visualization-based research, the pervading theme of this volume, is addressed from different perspectives reflecting the theory and practice of respective disciplines. The contributors - archaeologists, cultural historians, computer scientists and ICT practitioners - emphasize the importance of reliable tools, in particular documenting the process of interpretation of historical material and hypotheses that arise in the course of research. The discussion of this issue refers to all aspects of the intellectual content of visualization and is centred around the concept of 'paradata'. Paradata document interpretative processes so that a degree of reliability of visualization outcomes can be understood. The disadvantages of not providing this kind of intellectual transparency in the communication of historical content may result in visual products that only convey a small percentage of the knowledge that they embody, thus making research findings not susceptible to peer review and rendering them closed to further discussion. It is argued, therefore, that paradata should be recorded alongside more tangible outcomes of research, preferably as an integral part of virtual models, and sustained beyond the life-span of the technology that underpins visualization.-
Defining Digital Humanities
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Digital Futures in the Making
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Shakespeare's Language in Digital Media
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Digital Research in the Study of Classical Antiquity
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Revisualizing Visual Culture
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Evolving Perspectives on Digital Classics
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Memory and the Digital Manuscript
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New Directions in Mobile Media and Performance
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Visual Interface Design for Digital Cultural Heritage
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Digital Humanities in Medieval and Early Modern Spanish Texts
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The Shape of Data in Digital Humanities
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Collaborative Research in the Digital Humanities
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Digital Archetypes
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Crowdsourcing our Cultural Heritage
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Museums in the New Mediascape
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What's in a Word-list?
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The Historical Web and Digital Humanities
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International Perspectives on Publishing Platforms
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Critical Gaming: Interactive History and Virtual Heritage
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Performing Digital
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A History of Place in the Digital Age
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The Strehlow Archive: Explorations in Old and New Media
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Feminist War Games?
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Interfaces of Performance
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Historic Newspapers in the Digital Age
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Literary Mapping in the Digital Age
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Cultural Heritage Infrastructures in Digital Humanities
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Information and Knowledge Organisation in Digital Humanities
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Humans at Work in the Digital Age
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Postdigital Storytelling
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Linked Data for Digital Humanities
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Digital Humanities and Laboratories
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Multilingual Digital Humanities
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Access and Control in Digital Humanities
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Hidden and Devalued Feminized Labour in the Digital Humanities
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Digital Humanities Workshops
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Networks and the Spread of Ideas in the Past
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Cultural Heritage Communities
'By addressing a range of conceptual and technological challenges this title demonstrates that providing intellectual accountability, or 'transparency', is the key to establishing computerised visualisation methods as a rigorous, constructive, and vital contribution to historical research and its communication' Library and Information Research
Anna Bentkowska-Kafel is a Research Associate at the Department of Digital Humanities; Hugh Denard is Lecturer at the Department of Digital Humanities and Associate Director of the King's Visualisation Lab and Drew Baker is Senior Research Fellow at the Department of Digital Humanities, all at Kings College London, UK
| SKU | Unavailable |
| ISBN 13 | 9781138245655 |
| ISBN 10 | 1138245658 |
| Title | Paradata and Transparency in Virtual Heritage |
| Author | Anna Bentkowska-Kafel |
| Series | Digital Research In The Arts And Humanities |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Routledge |
| Year published | 2016-10-14 |
| Number of pages | 344 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |





































