Paying the Piper
Paying the Piper
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Summary
Studies the early music situation in a single county, Cheshire, from the late Middle Ages to the beginning of the Civil War, focusing on music outside the Church and looking not only at the trained professional but at music-makers from the performers at guild feasts to the gentleman who takes music lessons and alehousekeeper who plays the pipes.
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Paying the Piper by Elizabeth Baldwin
In Paying the Piper Elizabeth Baldwin studies the early music situation in a single county, Cheshire, from the late Middle Ages to the beginning of the Civil War, focusing on music outside the regular control of the church and looking not only at the trained professional but at music makers, from the performers at guild feasts to the gentleman who takes music lessons and the alehousekeeper who plays the pipes. Baldwin attempts to set the performer of music in a social, economic, legal, and possibly political context. Who was performing music, where, when, and why? What instruments were played, and by whom? What attitudes were there towards music, and how did they vary according to circumstances and religious affiliation? Did Cheshire’s special status with respect to the Statute of Vagabonds really make any difference to the performers in the county?
Elizabeth Baldwin is a part-time lecturer in the Department of English at the University of Cape Town. She has an MPhil in Mediaeval Studies from University College, Dublin, and a PhD in English from Leeds University
| SKU | Unavailable |
| ISBN 13 | 9781580440400 |
| Title | Paying the Piper |
| Author | Elizabeth Baldwin |
| Series | Early Drama Art And Music Monograph |
| Condition | Unavailable |
| Publisher | Medieval Institute Publications |
| Year published | 2002-07-01 |
| Number of pages | 299 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |