
The Pitchfork Disney by Philip Ridley
Philip Ridley's great breakthrough work, reissued as part of Methuen Drama's genre-defining series, Modern Classics with a new introduction by Aleks Sierz.-
The Catcher in the Rye
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Blood Brothers
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One Hundred Years of Solitude
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A Room with a View
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Nausea
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The Animals of Farthing Wood
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A People's History of the United States
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Narcissus and Goldmund
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Kensuke's Kingdom
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The Whitby Witches
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I am David
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Top Girls
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Bill's New Frock
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Darkness at Noon
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A Taste Of Honey
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The Castle
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A Raisin In The Sun
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At Swim-two-birds
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Accidental Death of an Anarchist
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Death and the King's Horseman
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Educating Rita
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Goodbye to All That
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Magic Mountain
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The Thief's Journal
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The Resistible Rise of Arturo Ui
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The Beauty Queen Of Leenane
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Doctor Faustus
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Home, I'm Darling
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Glengarry Glen Ross
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Love on the Dole
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The Lieutenant of Inishmore
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Copenhagen
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Light in August
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Memoirs of a Dutiful Daughter
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America
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The Jungle
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The Grand Babylon Hotel
It's one hell of a play, Philip Ridley's The Pitchfork Disney. . There's a deep artistry here and a searing vividness of imagination that leaves audiences shocked and subtly changed. * Scotsman *
A drama that defined the era of "in-yer-face" theatre. * Evening Standard *
Ridley's play, with its surreal fantasies, has an edgy, alarming potency of its own, the writing unfettered by any expectations of how a play should be. * Guardian *
Flamboyantly grisly first play . . . it blazed a trail for the edgy style that the critic Aleks Sierz dubbed "in-yer-face theatre" . . . in its provocative poeticism, in its mixture of the dreamlike and the dangerous . . . it fed into later works by Jez Butterworth, Mark Ravenhill, Sarah Kane and Anthony Neilson . . . a show that both depicts and deconstructs danger * The Times *
A cornerstone of the 'in yer face' theatre movement . . . Trauma-riven denial glints darkly in the dank, soiled poetry of Ridley's prose. * Stage *
Unsettling and gripping * Sunday Times *
A portal through which we access long-suppressed childhood fears from which we emerge with a ghost-train passenger's sense of survival. * Jewish Chronicle *
A drama that defined the era of "in-yer-face" theatre. * Evening Standard *
Ridley's play, with its surreal fantasies, has an edgy, alarming potency of its own, the writing unfettered by any expectations of how a play should be. * Guardian *
Flamboyantly grisly first play . . . it blazed a trail for the edgy style that the critic Aleks Sierz dubbed "in-yer-face theatre" . . . in its provocative poeticism, in its mixture of the dreamlike and the dangerous . . . it fed into later works by Jez Butterworth, Mark Ravenhill, Sarah Kane and Anthony Neilson . . . a show that both depicts and deconstructs danger * The Times *
A cornerstone of the 'in yer face' theatre movement . . . Trauma-riven denial glints darkly in the dank, soiled poetry of Ridley's prose. * Stage *
Unsettling and gripping * Sunday Times *
A portal through which we access long-suppressed childhood fears from which we emerge with a ghost-train passenger's sense of survival. * Jewish Chronicle *
Philip Ridley is a contemporary artist, poet, novelist, film-maker and one of the country's most celebrated living playwrights. Ridley has been described as 'probably a genius' (Time Out) and 'the best British playwright of the last 20 years' (Aleks Sierz, author of In-Yer-Face Theatre). His plays include Ghost From A Perfect Place, Mercury Fur, The Fastest Clock in the Universe, and Vincent River.
| SKU | Unavailable |
| ISBN 13 | 9781472514004 |
| ISBN 10 | 1472514009 |
| Title | The Pitchfork Disney |
| Author | Philip Ridley |
| Series | Modern Classics |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Bloomsbury Publishing PLC |
| Year published | 2015-05-21 |
| Number of pages | 128 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |




































