Projections 11 by John Boorman
Why live and work as a film-maker in New York rather than Hollywood? The birthplace of US cinema, New York has played a hugely influential role in its evolution - particularly in the realm of more personal, 'independent' film-making of figures from Sam Fuller to John Cassavetes. Now Projections 11 seeks to answer Mike Figgis' Los Angeles issue Projections 10 by interviewing film-makers who base themselves in New York, creating an East coast alternative to Hollywood. Tod Lippy speaks to Spike Lee, Jim Jarmusch, Sidney Lumet, Christine Vachon, David O. Russell, Nora Ephron, Tim Robbins, Frances McDormand, and many others.
John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was 'Catch Us If You Can' in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making.
| SKU | Unavailable |
| ISBN 13 | 9780571205912 |
| ISBN 10 | 0571205917 |
| Title | Projections 11 |
| Author | John Boorman |
| Series | Projections Ser |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Faber & Faber |
| Year published | 2001-01-22 |
| Number of pages | 352 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |