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Reconstructing Violence by Deborah E Barker
In this bold study of cinematic depictions of violence in the south, Deborah E. Barker explores the ongoing legacy of the ""southern rape complex"" in American film. Taking as her starting point D. W. Griffith's infamous The Birth of a Nation, Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes.Drawing from Gilles Deleuze's work on cinema, Barker examines plot, dialogue, and camera technique as she considers several films: The Story of Temple Drake (1933), Sanctuary (1958), Touch of Evil (1958), To Kill a Mockingbird (1962), and Cape Fear (1962). Placing this body of analysis in the context of the historical periods when these films appeared and the literary sources on which they are based, Barker reveals the protean power of cinematic racialized violence amid the shifting cultural and political landscapes of the South and the nation as a whole.
By focusing on familiar literary and cinematic texts - each produced or set during moments of national crisis such as the Great Depression or the civil rights movement - Barker's Reconstructing Violence offers fresh insights into the anxiety that has underpinned sexual and racial violence in cinematic representations of the South.
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Normans and Saxons
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Possessing the Past
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The Maid Narratives
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Lovers and Beloveds
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A Dark Rose
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The Angelic Mother and the Predatory Seductress
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Far from Home
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Robert Penn Warren After Audubon
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Plantation Airs
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Louisiana Women Writers
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Small-Screen Souths
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Peter Taylor
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The South That Wasn't There
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Faulkner's Imperialism
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Record, Document, Archive
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Allen Tate and the Augustinian Imagination
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The Bad Poor
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William Faulkner in the Media Ecology
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Making History
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Louisiana Culture from the Colonial Era to Katrina
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Belles and Poets
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Race, Theft, and Ethics
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Kate Chopin Reconsidered
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Emmett Till in Literary Memory and Imagination
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Six Poets from the Mountain South
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Postregional Fictions
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Reading Reconstruction
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Blacklegs, Card Sharps, and Confidence Men
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Bridging Southern Cultures
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Remediating Region
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The Tacky South
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Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner
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Circles of Sorrow, Lines of Struggle
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The Intellectual in Twentieth-Century Southern Literature
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The Complete Works of Kate Chopin
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Thomas Wolfe Interviewed, 1929-1938
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Domestic Novelists in the Old South
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Major Fiction of William Gilmore Simms
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Faulkner's Country Matters
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Grace King
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James Dickey and the Gentle Ecstasy of Earth
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Yeoman Versus Cavalier
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Sleeping with the Boss
Deborah E. Barker is professor of English at the University of Mississippi. She is the author of Aesthetics and Gender in American Literature: The Portrait of the Woman Artist and the coeditor, with Kathryn McKee, of American Cinema and the Southern Imaginary.
| SKU | Unavailable |
| ISBN 13 | 9780807160626 |
| ISBN 10 | 0807160628 |
| Title | Reconstructing Violence |
| Author | Deborah E Barker |
| Series | Southern Literary Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Louisiana State University Press |
| Year published | 2015-11-11 |
| Number of pages | 282 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |










































