
Repossessing the World by Helen M Buss
Beginning with her own motivations for writing memoirs, Helen Buss examines the many kinds of memoir written by contemporary women: memoirs about growing up, memoirs about traumatic events, about relationships, about work. In writing memoirs, these women publicly assert that their lives have mattered.-
Love and War in London
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What the Oceans Remember
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Unheard of
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Working in Women's Archives
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Lebano-Pathography
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Unequivocal Magic
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Autoethnography in the 21st Century, Volume II
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Silence and Seizure
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Autoethnography in the 21st Century, Volume I
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Memoirs from Away
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(In)Dependent Selves
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Life Writing After Empire
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Writing Lives Together
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Leaving Fundamentalism
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Bearing Witness
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Broad Is the Way
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Autofiction, Emotions, and Humour
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The Limits of Life Writing
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Career Construction Theory and Life Writing
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Body Language
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Women and Ageing
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We All Giggled
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Burdens of Proof
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The Selfless Ego
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Wounded Scholar, Healing Witness
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Human/Animal
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Chasing the Comet
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Watermelon Syrup
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Canadian Graphic
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Limelight
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Street Angel
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Travels and Identities
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Not the Whole Story
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Seven Eggs Today
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Life Writing and Celebrity
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Motherlode
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Borrowed Tongues
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Dead Woman Pickney
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Essays in Life Writing
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Erasing Frankenstein
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Wait Time
''[This book] demonstrates perhaps the most fulsome review of the literature of memoir and autobiography that I have seen, but the writer also contributes very important theoretical and practical distinctions between autobiography and memoirIndeed, those distinctions and the history she outlines of both genres are among the most important contributions [this book] makes to the study of women's self writing.'' -- Shari Benstock, University of Miami
``Buss argues convincingly that memoir serves as an ideal form for women--in particular--to `repossess ways of knowing the world and the self that do not divide the heart from the head.'... Buss's intelligent book presents an excellent resource on women's contemporary memoirs, and also serves to offer a nuanced analysis of the memoir itself, a genre that has not received the critical attention it merits.'' -- Kristi Siegel -- Biography, 26.3, Summer 2003, 2003
``Memoir has long deserved the careful attention Helen Buss gives it in Repossessing the World: Reading Memoirs by Contemporary Women.... In this study Buss returns to some of her previous work...investigating the memoirist's tripartitie roles as witness, participant, and relfective/reflexive narrator. The strengths of this book lis in Buss's engagement with the interplay between these roles, and in her exploration of how they allow women to resist narratives and restrictions inherited from patriarchal society.'' -- Elizabeth Maurer -- Canadian Literature, 200409
``Citing a wide variety of theorists [Buss] probes issues of balance, mother-daughter relationships, trauma, and academic matters as significant themes in the evolution of English-language memoir writing. As with most scholarly monographs, which attempt to advance a field of study, this one can sometimes make difficult reading for those not up on their theory, but the analysis is happily leavened by the author's determination to integrate her own subjectivity into the discussion and by her engaging scholarly passion.'' -- Margaret Conrad -- Canadian Book Review Annual, 2006, 200702
``Buss's volume will be useful to anyone analyzing the rich nuances of writing as a means of recording and analyzing the self and to students of textual modes: autobiography, memoir, personal narrative.'' -- K. Gale, Loyola Marymount University -- CHOICE, 2002, 2002
``Buss picks up on the recent surge in `memoir' writing to distinguish memoir from other forms of life writing as a genre that is both personal and socio-historical. In doing so, she works not only from clear analyses based on her own primary readings in the field (extensive and varied) but also from the most recent and sophisticated theories at work in feminist studies and autobiography studies. Further, focusing on women's memoirs, she examines the various ways in which women in particular situations have been able to repossess their own worlds in terms of perspective, interpretation, and the power to change. Buss's chapters develop important stages of this discussion and build into a very persuasive whole. Finally, as part of a radical and significant movement in life writing and in literature studies in general, Buss works as an auto-bio-crito-grapher, positioning herself in order to position and personalize her analyses. She has had the courage and talent to write her own memoir, and is therefore `positioned' to discuss both the reading and the writing of women's memoirs.'' -- Susanna Egan, University of British Columbia
``Repossesing the World is a fascinating, seminal, challenging, and at time iconoclastic, college-level discourse of the hidden depths in writing by female authors and highly recommended for serious students of women's studise and contemporary literary criticism.'' -- Kristi Siegel -- Wisconsin Bookwatch, May 2002, 2003
``Buss argues convincingly that memoir serves as an ideal form for women--in particular--to `repossess ways of knowing the world and the self that do not divide the heart from the head.'... Buss's intelligent book presents an excellent resource on women's contemporary memoirs, and also serves to offer a nuanced analysis of the memoir itself, a genre that has not received the critical attention it merits.'' -- Kristi Siegel -- Biography, 26.3, Summer 2003, 2003
``Memoir has long deserved the careful attention Helen Buss gives it in Repossessing the World: Reading Memoirs by Contemporary Women.... In this study Buss returns to some of her previous work...investigating the memoirist's tripartitie roles as witness, participant, and relfective/reflexive narrator. The strengths of this book lis in Buss's engagement with the interplay between these roles, and in her exploration of how they allow women to resist narratives and restrictions inherited from patriarchal society.'' -- Elizabeth Maurer -- Canadian Literature, 200409
``Citing a wide variety of theorists [Buss] probes issues of balance, mother-daughter relationships, trauma, and academic matters as significant themes in the evolution of English-language memoir writing. As with most scholarly monographs, which attempt to advance a field of study, this one can sometimes make difficult reading for those not up on their theory, but the analysis is happily leavened by the author's determination to integrate her own subjectivity into the discussion and by her engaging scholarly passion.'' -- Margaret Conrad -- Canadian Book Review Annual, 2006, 200702
``Buss's volume will be useful to anyone analyzing the rich nuances of writing as a means of recording and analyzing the self and to students of textual modes: autobiography, memoir, personal narrative.'' -- K. Gale, Loyola Marymount University -- CHOICE, 2002, 2002
``Buss picks up on the recent surge in `memoir' writing to distinguish memoir from other forms of life writing as a genre that is both personal and socio-historical. In doing so, she works not only from clear analyses based on her own primary readings in the field (extensive and varied) but also from the most recent and sophisticated theories at work in feminist studies and autobiography studies. Further, focusing on women's memoirs, she examines the various ways in which women in particular situations have been able to repossess their own worlds in terms of perspective, interpretation, and the power to change. Buss's chapters develop important stages of this discussion and build into a very persuasive whole. Finally, as part of a radical and significant movement in life writing and in literature studies in general, Buss works as an auto-bio-crito-grapher, positioning herself in order to position and personalize her analyses. She has had the courage and talent to write her own memoir, and is therefore `positioned' to discuss both the reading and the writing of women's memoirs.'' -- Susanna Egan, University of British Columbia
``Repossesing the World is a fascinating, seminal, challenging, and at time iconoclastic, college-level discourse of the hidden depths in writing by female authors and highly recommended for serious students of women's studise and contemporary literary criticism.'' -- Kristi Siegel -- Wisconsin Bookwatch, May 2002, 2003
Helen M. Buss is a professor of English at the University of Calgary. Her book on Canadian women's life writing, Mapping Our Selves, won the Gabrielle Roy Prize. As Margaret Clarke, she has published novels, short stories and poetry. Three of her most recent books published by Wilfrid Laurier University Press are Memoirs from Away: A New Found Land Girlhood, Mary Wollstonecraft and Mary Shelley: Writing Lives, edited with D.L. Macdonald and Anne McWhir, and Working in Women's Archives edited with Marlene Kadar.
| SKU | Unavailable |
| ISBN 13 | 9780889204096 |
| ISBN 10 | 0889204098 |
| Title | Repossessing the World |
| Author | Helen M Buss |
| Series | Life Writing |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Wilfrid Laurier University Press |
| Year published | 2002-02-28 |
| Number of pages | 231 |
| Prizes | Winner of Laura Jamieson Prize, Canadian Research Institute for the Advancement of Women 2003 (Canada) |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |








































