Revealing the Inner Contours of Human Emotion by Christine Neal

Revealing the Inner Contours of Human Emotion by Christine Neal

Antony Tudor stands as one of the pillars of twentieth-century ballet choreography. An English born choreographer who found a home in the United States, Tudor gained renown as the most innovative choreographer of his day. He explored the inner contours of human emotion as he sculpted one-act short stories about ordinary men and women.

Based on a series of interviews with the curators of the Tudor legacy: Sally Bliss, Trustee of the Antony Tudor Ballet Trust, and four of the R p titeurs, the professionals tasked with restaging the Tudor ballets, this book discusses the legacy of Antony Tudor and the restaging of his ballets to preserve their unique qualities that make them>Tudor ballets.

The author, Christine Knoblauch-O'Neal, is Director of the Master of Fine Arts (MFA) in Dance Program in the Performing Arts Department at Washington University in St. Louis. Before beginning her academic career, Christine performed for twenty years as a dancer with companies such as the American Ballet Theater (where she worked with Antony Tudor), the National Ballet, and the Cincinnati Ballet.

Antony Tudor stands as one of the pillars of twentieth-century ballet choreography. An English born choreographer who found a home in the United States, Tudor gained renown as the most innovative choreographer of his day. He explored the inner contours of human emotion as he sculpted one-act short stories about ordinary men and women.

Based on a series of interviews with the curators of the Tudor legacy: Sally Bliss, Trustee of the Antony Tudor Ballet Trust, and four of the R p titeurs, the professionals tasked with restaging the Tudor ballets, this book discusses the legacy of Antony Tudor and the restaging of his ballets to preserve their unique qualities that make them>Tudor ballets.

The author, Christine Knoblauch-O'Neal, is Director of the Master of Fine Arts (MFA) in Dance Program in the Performing Arts Department at Washington University in St. Louis. Before beginning her academic career, Christine performed for twenty years as a dancer with companies such as the American Ballet Theater (where she worked with Antony Tudor), the National Ballet, and the Cincinnati Ballet.