
Rogue Performances by P Reed
Rogue Performances recovers eighteenth and nineteenth-century American culture s fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period s most popular plays. Peter Reed also explores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.-
Theatre, Performance and the Historical Avant-Garde
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The Group Theatre
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The Theatre of the Occult Revival
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Stage Designers in Early Twentieth-Century America
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Theatre, Youth, and Culture
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Staging Stigma
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Memory in Play
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Performance and Femininity in Eighteenth-Century German Women's Writing
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Directors and the New Musical Drama
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The New Humor in the Progressive Era
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Entertaining Children
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Performing Magic on the Western Stage
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The Past, Present, and Future of American Regional Theatre
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Uncle Tom's Cabin on the American Stage and Screen
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A Sustainable Theatre
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Hijikata Tatsumi and Butoh
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George Alexander and the Work of the Actor-Manager
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Operatic China
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Plays in American Periodicals, 1890-1918
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Racism and Early Blackface Comic Traditions
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Theaters of Error
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Performing Bodies in Pain
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Acts of Manhood
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Loss and Cultural Remains in Performance
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Mei Lanfang and the Twentieth-Century International Stage
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The Drama of Marriage
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Transposing Broadway
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Puppetry and Dramaturgy
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W. C. Fields from Sound Film and Radio Comedy to Stardom
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On the Uses of the Fantastic in Modern Theatre
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Thomas Hamblin and the Bowery Theatre
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Audrey Wood and the Playwrights
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Moscow Theatres for Young People: A Cultural History of Ideological Coercion and Artistic Innovation, 1917-2000
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Staging the Slums, Slumming the Stage
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Ghosts of Theatre and Cinema in the Brain
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America's First Regional Theatre
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American Playwriting and the Anti-Political Prejudice
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The Education of a Circus Clown
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Popular Theatre and Political Utopia in France, 1870-1940
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Class Divisions on the Broadway Stage
"Well-researched and discerning..Rogue Performances represents the best of scholarship in early American theatre." - Theatre Journal
"Beyond its apparent topics, Rogue Performances delivers the substrata that refigure American literature, drama, performance studies, and class dynamics. Despite official suppression, rogue acts remain widespread and lively in both the archives and popular behavior. Reed's stunning research and close analyses prove that curtains and footlights, costumes and conventions, do not separate performance from publics but knot them together. Rogue Performances shows how we act American." - W. T. Lhamon, Jr., Lecturer in American Studies, Smith College and author of Raising Cain
"Combining rich archival research and imaginative analysis, Reed offers scholars alternate ways to read the role of underclass figures often marginalized in or excluded from familiar histories of American theatre. Rogue Performances explores both traditional theatrical events (such as Rowson's Slaves in Algiers, Bird's The Gladiator, or blackface minstrel shows), as well as those impromptu performances that exploded within and outside playhouse walls. In each case, Reed pays careful attention to the rogue characters who used their performances to claim a new kind of freedom. Reed situates his rogues (sailors, slaves, working class laborers) in a circum-Atlantic context that underscores the debt American underclass performance culture owed to its European and African ancestors. He also illuminates the ways in which the crucible of American society refashioned these traditional performance practices into new genres that gave agency to its most powerless members." - Heather S. Nathans, Associate Professor, University of Maryland
PETER P. REED is Assistant Professor of American Literature at the University of Mississippi, USA.
| SKU | Unavailable |
| ISBN 13 | 9780230607927 |
| ISBN 10 | 0230607926 |
| Title | Rogue Performances |
| Author | P Reed |
| Series | Palgrave Studies In Theatre And Performance History |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Palgrave Macmillan |
| Year published | 2009-07-14 |
| Number of pages | 249 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |







































