The San Francisco Renaissance by Michael Davidson

The San Francisco Renaissance by Michael Davidson

The San Francisco Renaissance is the first overview of this major American literary movement. Michael Davidson recounts its emergence during the postwar period in the San Francisco Bay area as defined by poets such as Kenneth Rexroth, Robert Duncan and William Everson, and then as it blossomed into the literary excitements associated with the Beat movement and with writers like Jack Kerouac and Allen Ginsberg. Individual chapters are devoted to major writers of the period and to their involvement with social and political change during the Cold War era. Davidson's penultimate chapter deals with the largely neglected context of women writers during this period, and the final chapter deals with poetry since 1965.

"Davidson's The San Francisco Renaissance is as close to a 'definitive' study as I can imagine" Richard Silberg, Poetry Flash
"Davidson offers an excellently conceived synthesis of literary criticism and cultural history and analysis." Choice
"Lucid, nuanced, informed, this is a model literary history of the literary and social formation of interlocking 'bohemias' (Rexroth circle of the 1940s, the Beats, Spicer circle, Snyderian neo-primitives, the Duncan group) as equally at ease with interpretive and theoretical debate as with the choice and framing of telling incident, example, analysis." Rachel Blau duPlessis, Sulfur
"Michael Davidson's The San Francisco Renaissance illuminates and traces this movement by identifying its major writers, who were intent on severing the shackles that they believed were encumbering postwar America...Davidson is impeccably thorough in his presentation...." John Aeillo, San Franciso Examiner
"Michael Davidson's book, The San Francisco Renaissance, is long overdue." Phil Woods, The Bloomsbury Review
"Davidson is a superior critic well acquainted with the scene and the authors. His focus on community helps to make sense of the diverse groups in close interaction with one another in that time and place without sacrificing anything in the sharpness and clarity of his discussion of individual authors....The scope is wider than the literary movements discussed and superior to books that apply a single theory to heterogeneous texts. Davidson employs a number of current theories, choosing that approach which best illuminates the text at hand yet maintains a clear unity among the various strands of his subject. The resulting book is an important work for all readers concerned with contemporary literature and literary theory." George F. Wedge, American Studies

Michael Davidson, University of California, San Diego, Distinguished Professor Emeritus Michael Davidson is a Distinguished Professor Emeritus at the University of California, San Diego. The San Francisco Renaissance: Poetics and Community in the Mid-Century, Ghostlier Demarcations: Modern Poetry and the Material Word, Guys Like Us: Citing Masculinity in Cold War Poetics, and Outskirts of Form: Practicing Cultural Poetics are among his many publications. Concerto for the Left Hand: Disability and the Defamiliar Body, released by the University of Michigan Press, is a collection of his disability studies work. He is the editor of George Oppen's New Collected Poems. He is the author of six collections of poetry, the most recent of which is Coffee House Press's Bleed Through: New and Selected Poems.

SKU	Unavailable
ISBN 13	9780521423045
ISBN 10	052142304X
Title	The San Francisco Renaissance
Author	Michael Davidson
Series	Cambridge Studies In American Literature And Culture
Condition	Unavailable
Binding Type	Paperback
Publisher	Cambridge University Press
Year published	1991-06-28
Number of pages	268
Cover note	Book picture is for illustrative purposes only, actual binding, cover or edition may vary.