
Shakespeare, Dramatic Poetry and Value by Macdonald P Jackson
This book redirects attention to a truth largely ignored by recent criticism-that Shakespeare's excellence as a playwright is inextricable from his excellence as a poet. It explores the diverse means by which Shakespeare's poetry enriches his drama, illustrating how particular words in a particular order render his dialogue distinctive and create supreme literary and dramatic value. By examining many passages, long and short and from a variety of Shakespeare's plays-comedies, histories, tragedies, later plays-the author aids understanding of the poetic effects that make Shakespeare preeminent. His analyses, alert to textual variants and cruxes, are illuminated by comparisons: Shakespeare's early verse is compared with his later verse and samples of Shakespearean dialogue are compared with versions in later adaptations, in modernizations, and inferior quarto texts, as well as with contributions by his co-authors to collaborative plays. The contrasts throw into relief the surpassing vitality and expressiveness of Shakespeare's own language. Since the rhythmic vitality of Shakespeare's verse is essential to how and what it communicates, an appendix on the principles of iambic pentameter is included to support those aspects of the analyses that refer to acoustic subtleties.-
Receiving the Stranger in Shakespeare
- Ineffable Bodies
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Imperial Concerns in Early Modern Drama
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Emily Dickinson and Shakespeare
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The Death of Hamlet
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Shakespeare’s Exiles
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Aemilia Lanyer as Shakespeare’s Rival Poet
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Genre in Non-Traditional Authorship Attribution Studies
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Shakespeare’s Unmuted Women
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Memory in Shakespeare's Histories
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Shakespeare and Indian Cinemas
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Retheorizing Shakespeare through Presentist Readings
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Shakespearean Recognitions
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Histrionic Hamlet
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Shakespeare’s Mirrors
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Reinventing Shakespeare
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Shakespeare’s Second Tetralogy
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Shakespeares Props
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Shakespeare in Hate
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SHAKESPEARE'S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION
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Shakespeare and the Cultivation of Difference
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Jonson, Shakespeare, and Aristotle on Comedy
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Shakespeare's Lost Playhouse
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Shakespeare, the Bible, and the Form of the Book
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Casual Shakespeare
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Speech Act Theory and Shakespeare
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Shakespeare and Indian Nationalism
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Shakespeare's Law
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Pivotal Lines in Shakespeare and Others
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New Psychoanalytic Readings of Shakespeare
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Shakespearean Spaces in Australian Literary Adaptations for Children and Young Adults
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Local/Global Shakespeare and Advertising
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Shakespeare's Military Spouses and Twenty-First-Century Warfare
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Shakespeare, Italy, and Transnational Exchange
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Shakespeare s Asian Journeys
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Shakespeare and Asia
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Shakespeare's Great Tragedies
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Rethinking Shakespeare Source Study
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The Fictional Lives of Shakespeare
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Shakespeare's Suicides
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Crossing Gender in Shakespeare
"Jackson’s critical analyses of Shakespeare’s poetry are thoroughly informed by current scholarship; indeed the author has played an important part in the revolution, since the 1980s, in textual editing and rethinking of the canons of both Shakespeare and Thomas Middleton.. [T]his excellent book... seems to me to explain a puzzling fact: although Shakespeare’s plots have been immensely fruitful for other writers and works in other media, attempts to imitate his language have been mostly disastrous. As he unpicks one gorgeous passage after another, MacDonald P. Jackson shows us why... To write like Shakespeare you have to start by having Shakespeare’s mind. It is into that mind that this book gives its most important insight."
--Lois Potter, Times Literary Supplement
MacDonald P. Jackson is Emeritus Professor of English at the University of Auckland.
| SKU | Unavailable |
| ISBN 13 | 9781032890425 |
| ISBN 10 | 1032890428 |
| Title | Shakespeare, Dramatic Poetry and Value |
| Author | Macdonald P Jackson |
| Series | Routledge Studies In Shakespeare |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Routledge |
| Year published | 2026-05-21 |
| Number of pages | 196 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |







































