Sound Effects by Laura Jayne Wright

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Summary

Blending theatre history and sensory studies this book recaptures the sound of early modern drama, acknowledging its intangibility while attempting to both describe those sounds heard on the stage and to try and identify those sound’s effects on the playgoers.

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Sound Effects by Laura Jayne Wright

This book shows that the sounds of the early modern stage do not only signify but are also significant. Sounds are weighted with meaning, offering a complex system of allusions. Playwrights such as Jonson and Shakespeare developed increasingly experimental soundscapes, from the storms of King Lear (1605) and Pericles (1607) to the explosive laboratory of The Alchemist (1610). Yet, sound is dependent on the subjectivity of listeners; this book is conscious of the complex relationship between sound as made and sound as heard. Sound effects should not resound from scene to scene without examination, any more than a pun can be reshaped in dialogue without acknowledgement of its shifting connotations. This book listens to sound as a rhetorical device, able to penetrate the ears and persuade the mind, to influence and to affect.
Laura Jayne Wright is a Leverhulme Early Career Fellow at Newcastle University
SKU Unavailable
ISBN 13 9781526159182
ISBN 10 152615918X
Title Sound Effects
Author Laura Jayne Wright
Series Revels Plays Companion Library
Condition Unavailable
Binding Type Hardback
Publisher Manchester University Press
Year published 2023-06-27
Number of pages 248
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.