
Stagecraft Rewired by Michael Harding
Stagecraft Rewired explores how artificial intelligence and intelligent systems can be seamlessly integrated into contemporary theatre while preserving artistic agency, ethical responsibility, and historical awareness.
The book offers a comprehensive journey from conceptual foundations to real-world applications. It includes critical analysis, case studies, production workflows, and pedagogical models, providing readers with clear frameworks for ethical tool use and practical strategies for rehearsal and production. The volume also addresses key topics such as authorship, collaboration, accessibility, and accountability in technology-mediated performance. By situating AI within a historical lineage of adaptation and creative recombination, the book reframes intelligent systems as an extension of traditional theatrical methods rather than a disruption. Readers will benefit from actionable guidance on institutional governance, teaching models that emphasize transparency, and forward-looking principles for navigating the future of stagecraft.
This book is an invaluable resource for theatre practitioners, educators, students, arts administrators, and cultural policy-makers interested in the intersection of technology and performance.
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Critical Acting Pedagogy
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Grotowski, Women, and Contemporary Performance
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The Provocation of the Senses in Contemporary Theatre
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Actor Trainers on Acting
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1000 Ways to Ask Why
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D'Oyly Carte
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360 Circus
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Religion, Theatre, and Performance
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Movement Training for the Modern Actor
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Performance and Performativity of Dalit Students Politics in India
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The Problems of Viewing Performance
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Analytic Philosophy and the World of the Play
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Stand Up
- Performing Pain
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Theatre and Postcolonial Desires
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Hypertheatre
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Moving Relation
- Gorgon in the Blue Room
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Michael Chekhov’s Pedagogy from Europe to America, Volume I
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Giving Voice
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Contemporary Performance and Political Economy
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Consent in Shakespeare’s Classical Mediterranean
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Choreographing the North
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Vladimir Nemirovich-Danchenko and the Moscow Art Theatre
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Tragic Resistance
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Performing Climates
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Performing Violence
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Navarasas, Autoethnodrama & DIY Immersive Theatre
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Performing Corporate Bodies
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Dancing Shakespeare
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Mess and Contemporary Performance
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Authentic Voice and Speech
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The Embattled Academy
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Brecon’s Hidden Theatre History, 1699–1870
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Becomings
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Theatre and Human Rights
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The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka
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The Inherent Potential in Art Performance
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Black Queer Dance
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Encountering Boris Nieslony
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The Rise and Fall of Rape on the English Stage
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Performance
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Directorless Shakespeare
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Performing the Transition to Democracy
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Messy Connections
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Transfiguring Tragedy
Michael Harding is an American academic and professor who works as the department head of Performing Arts and Lindenwood University in Saint Charles, USA.
James Hutson is currently a professor and department head of art history, AI, and visual culture at Lindenwood University in Saint Charles, USA.
| SKU | Unavailable |
| ISBN 13 | 9781041252177 |
| ISBN 10 | 104125217X |
| Title | Stagecraft Rewired |
| Author | Michael Harding |
| Series | Routledge Advances In Theatre And Performance Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Routledge |
| Year published | 2026-06-18 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































