Stalin's Music Prize by Marina Frolova-Walker
Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of Socialist Realism, offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.
“A great attraction of the book is the wit and enthusiasm that suffuse its tone. . A thoroughly engaging style as well as a consummate mastery in handling archival materials makes this book as enjoyable a read for a wide audience as it is indispensable for specialists.”—Michelle Assay, SEER
'Frolova-Walker’s study of the Stalin Prize is permeated with the joy of discovery. Although the subject is tremendous, since it deals with the machinations of power under a dictatorial regime, the author delights in what she calls time travelling and eavesdropping. The amount of sources in which actual conversation had been preserved verbatim enables the historian a fly-on-the-wall perspective that leads her up to Stalin's writing desk.' -
Francis Maes, European History Quarterly
'Stalin’s Music Prize represents a milestone in the literature on Soviet music and cultural politics.' - Leah Godman, Journal of the American Musicological Society
“These books give fuller, finer-grained and better-shaded accounts of Soviet policy ups and downs and their impact on musicians than any previous study.”—Richard Taruskin, TLS
“Thanks to Frolova-Walker’s engaging and readable written style, such material is brought to life, providing a rich and engrossing narrative of Soviet cultural history during this turbulent period.”—Erik Levi, BBC Music -- Erik Levi * BBC Music Magazine *
'Frolova-Walker’s study of the Stalin Prize is permeated with the joy of discovery. Although the subject is tremendous, since it deals with the machinations of power under a dictatorial regime, the author delights in what she calls time travelling and eavesdropping. The amount of sources in which actual conversation had been preserved verbatim enables the historian a fly-on-the-wall perspective that leads her up to Stalin's writing desk.' -
Francis Maes, European History Quarterly -- Francis Maes * European History Quarterly *
'Stalin’s Music Prize represents a milestone in the literature on Soviet music and cultural politics.' - Leah Godman, Journal of the American Musicological Society
-- Leah Godman * Journal of the American Musicological Society *
“These books give fuller, finer-grained and better-shaded accounts of Soviet policy ups and downs and their impact on musicians than any previous study.”—Richard Taruskin, TLS -- Richard Taruskin * TLS *
'Frolova-Walker’s study of the Stalin Prize is permeated with the joy of discovery. Although the subject is tremendous, since it deals with the machinations of power under a dictatorial regime, the author delights in what she calls time travelling and eavesdropping. The amount of sources in which actual conversation had been preserved verbatim enables the historian a fly-on-the-wall perspective that leads her up to Stalin's writing desk.' -
Francis Maes, European History Quarterly
'Stalin’s Music Prize represents a milestone in the literature on Soviet music and cultural politics.' - Leah Godman, Journal of the American Musicological Society
“These books give fuller, finer-grained and better-shaded accounts of Soviet policy ups and downs and their impact on musicians than any previous study.”—Richard Taruskin, TLS
“Thanks to Frolova-Walker’s engaging and readable written style, such material is brought to life, providing a rich and engrossing narrative of Soviet cultural history during this turbulent period.”—Erik Levi, BBC Music -- Erik Levi * BBC Music Magazine *
'Frolova-Walker’s study of the Stalin Prize is permeated with the joy of discovery. Although the subject is tremendous, since it deals with the machinations of power under a dictatorial regime, the author delights in what she calls time travelling and eavesdropping. The amount of sources in which actual conversation had been preserved verbatim enables the historian a fly-on-the-wall perspective that leads her up to Stalin's writing desk.' -
Francis Maes, European History Quarterly -- Francis Maes * European History Quarterly *
'Stalin’s Music Prize represents a milestone in the literature on Soviet music and cultural politics.' - Leah Godman, Journal of the American Musicological Society
-- Leah Godman * Journal of the American Musicological Society *
“These books give fuller, finer-grained and better-shaded accounts of Soviet policy ups and downs and their impact on musicians than any previous study.”—Richard Taruskin, TLS -- Richard Taruskin * TLS *
Marina Frolova-Walker was born and educated in Moscow, where she studied at the Moscow Conservatoire. She is professor of music history at Cambridge University, and a Fellow of Clare College.
| SKU | Unavailable |
| ISBN 13 | 9780300208849 |
| ISBN 10 | 0300208847 |
| Title | Stalin's Music Prize |
| Author | Marina Frolova-Walker |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Yale University Press |
| Year published | 2016-03-11 |
| Number of pages | 384 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |