
Theology and the Blues by Michael Sharp
While all music genres incorporate religious imagery, the blues has its origin in the soil of the church. In its infancy, the blues was often dismissed as undermining the church’s gospel songbook. The initial resistance, however, could not suppress the organic development of a genre of music born from suffering. The great Mississippi Delta bluesman, Muddy Waters, once said, "The blues was born behind a mule." Behind a beast of burden, the working man found in the blues a way to console the everyday experiences of struggle, sin, loss, despair, love, grief, sin, death, and the fear and hope of crossing the River Jordan into eternal life. The church's gospel songbook explores doctrinal foundations set to music, but the blues dares to uncover insight into the lived experiences of spiritual journeys. Theology and the Blues showcases theological themes inherent within the organic and expressive genre of the blues.-
Theology and the Avett Brothers
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Ted Lasso and Pastoral Theology
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Religion and James Bond
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Religion, Film, and Ecological Catastrophe
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The Spirit and the Sketch
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Barbie and the Bible
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Theology, Religion, and Dungeons & Dragons
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Theology, Religion, and Twin Peaks
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A Spirited Anthropology for Avatars, Heroes, and Assorted Undead
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Theology, Religion, and the Universe of Dune
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René Girard, Theology, and Pop Culture
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Theology and Wes Craven
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Theology and Westworld
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Rene Girard, Theology, and Pop Culture
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Theology, Religion, and Dystopia
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Theology and Spider-Man
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Theology and Prince
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Theology and Breaking Bad
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Theology and Horror
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Theology and Batman
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The Spirit and the Screen
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Theology and Game of Thrones
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Dread and Hope
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Theology and Black Mirror
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Theology and the Marvel Universe
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Sports and Play in Christian Theology
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The Esoteric Theology of Philip K. Dick
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Stand-up Comedy, Theology, and Ethics
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Anime, Religion, and Theology
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Theology and the Films of Christopher Nolan
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The Last of Us and Theology
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Post-Christian Religion in Popular Culture
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Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein
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Questing through the Riordanverse
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Religion, Theology, and Stranger Things
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Theology and Vampires
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The Spirit and the Song
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Theology and the DC Universe
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Theology, Religion, and The Office
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Theology, Religion and The Witcher
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Theology and H.P. Lovecraft
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Theology and the Star Wars Universe
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Progressive Rock, Religion, and Theology
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Theology, Fantasy, and the Imagination
Through the diverse disciplinary lenses of twelve authors, Theology and the Blues rethinks the long-held tropes separating blues from religion or spirituality, by expanding on research around blues and religion from authors such as James Cone, John Michael Spencer, Adam Gussow and othersSome previously devised divisions isolating blues from religion are turned on their head to show they are often more inexorably linked than sometimes meets the eye. The simplistic idea of Blues being the “Devil’s music,” far removed from Gospel music just doesn’t hold up. Blues music was simultaneously influenced by African American spirituals while also giving rise to more modern Black gospel music. In fact, blues can itself be almost a form of religion; as Albert Murray pointed out in Stomping the Blues, the act of performing blues music can be a way of exorcising the demons of the emotional state of having the blues.
-- Greg Johnson, The University of Mississippi; co-author of 100 Books Every Blues Fan Should Own| SKU | Unavailable |
| ISBN 13 | 9781978714588 |
| ISBN 10 | 1978714580 |
| Title | Theology and the Blues |
| Author | Michael Sharp |
| Series | Theology Religion And Pop Culture |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Bloomsbury Publishing Plc |
| Year published | 2025-02-19 |
| Number of pages | 280 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































