True Event Adaptation by Davinia Thornley
Written for readers interested in how memory works on culture as well as screenwriting choices, the collection offers new perspectives on historical media and commercial media that is currently being produced, as well as on media created by the books contributors themselves.-
Adapting Margaret Atwood
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Anamorphic Authorship in Canonical Film Adaptation
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Nordic Noir, Adaptation, Appropriation
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Penny Dreadful and Adaptation
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Anthony Burgess, Stanley Kubrick and A Clockwork Orange
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Adaptation Before Cinema
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Screening the Author
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Queer/Adaptation
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Shakespearean Celebrity in the Digital Age
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James Bond Uncovered
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Patricia Highsmith on Screen
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Adaptation and Illustration
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Screening Modern Irish Fiction and Drama
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Adaptation and the New Art Film
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Adaptation, Awards Culture, and the Value of Prestige
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Subversive Adaptations
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Adaptable TV
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Adapting Spanish Classics for the New Millennium
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Literature, Film, and Their Hideous Progeny
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The Making of... Adaptation and the Cultural Imaginary
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Shakespeare’s Fans
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Balzac Reframed
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Expanding Adaptation Networks
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Adaptation in Visual Culture
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Neo-Victorianism on Screen
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Screening Contemporary Irish Fiction and Drama
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Embodying Adaptation
Davinia Thornley is Senior Lecturer in Media, Film, and Communication at the University of Otago, New Zealand. She is the author of the monograph, Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field (2014).
| SKU | Unavailable |
| ISBN 13 | 9783319973210 |
| ISBN 10 | 3319973215 |
| Title | True Event Adaptation |
| Author | Davinia Thornley |
| Series | Palgrave Studies In Adaptation And Visual Culture |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Springer International Publishing AG |
| Year published | 2018-10-09 |
| Number of pages | 237 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |