Unceasing Worship - Biblical Perspectives on Worship and the Arts by Harold M Best

Unceasing Worship - Biblical Perspectives on Worship and the Arts by Harold M Best

One of Discerning Reader's Best Books

We are not created to worship. Nor are we created for worship. We are created worshiping.

Too often Christians have only thought of worship in terms of particular musical styles or liturgical formats. But a proper view of worship is far larger than what takes place in churches on Sunday mornings. Worship is not limited to specific times, places or activities.

God is by his very naturecontinuously outpouring himself. Because we are created in his image, we too are continually pouring ourselves in various directions, whether toward God or toward false gods. All of us, Christian or not, are always worshiping, whether or not that worship is directed toward God. We are unceasing worshipers.

The fruition of a lifetime of study, reflection and experience, this volume sets forth Harold M. Best's understanding of worship and the arts. Widely respected as one of the foremost thinkers and practitioners in his field, Best explores the full scope of worship as continuous outpouring in all settings and contexts. With careful exposition and eloquent analysis, Best casts a holistic vision for worship that transcends narrow discussions of musical style or congregational preference. On this broader canvas, Best addresses popular misunderstandings about the use of music and offers correctives toward a more biblically consistent practice of artistic action.

Incisive, biblical, profound and comprehensive, Best's landmark volume is one by which all other statements on worship and the arts will be measured.

Best (D.S.M., Union Theological Seminary) was for more than twenty-five years the dean of the Conservatory of Music at Wheaton College in Wheaton, Illinois. An organist and composer, he has been a mentor and model for musicians, artists and church leaders. He also has served as president of the National Association of Schools of Music and has written extensively on matters of curriculum, culture and educational policy issues. He is the author of Music Through the Eyes of Faith.