Die Welt als Wille und Vorstellung by Arthur Schopenhauer

Die Welt als Wille und Vorstellung by Arthur Schopenhauer

\Die Welt ist meine Vorstellung: \ - dies ist eine Wahrheit, welche in Beziehung auf jedes lebende und erkennende Wesen gilt; wiewohl der Mensch allein sie in das reflektierte abstrakte Bewu tsein bringen kann: und tut er dies wirklich; so ist die philosophische Besonnenheit bei ihm eingetreten. Es wird ihm dann deutlich und gewi , da er keine Sonne kennt und keine Erde; sondern immer nur ein Auge, das eine Sonne sieht, eine Hand, die eine Erde f hlt; da die Welt, welche ihn umgibt, nur als Vorstellung da ist, d.h. durchweg nur in Beziehung auf ein Anderes, das Vorstellende, welches er selbst ist. - Wenn irgend eine Wahrheit a priori ausgesprochen werden kann, so ist es diese: denn sie ist die Aussage derjenigen Form aller m glichen und erdenklichen Erfahrung, welche allgemeiner, als alle andern, als Zeit, Raum und Kausalit t ist: denn alle diese setzen jene eben schon voraus, und wenn jede dieser Formen, welche alle wir als so viele besondere Gestaltungen des Satzes vom Grunde erkannt haben, nur f r eine besondere Klasse von Vorstellungen gilt; so ist dagegen das Zerfallen in Objekt und Subjekt die gemeinsame Form aller jener Klassen, ist diejenige Form, unter welcher allein irgend eine Vorstellung, welcher Art sie auch sei, abstrakt oder intuitiv, rein oder empirisch, nur berhaupt m glich und denkbar ist. Keine Wahrheit ist also gewisser, von allen andern unabh ngiger und einer Beweises weniger bed rftig, als diese, da Alles, was f r die Erkenntnis da ist, also diese ganze Welt, nur Objekt in Beziehung auf das Subjekt ist, Anschauung des Anschauenden, mit einem Wort, Vorstellung. ...] In dem hier vorliegenden Band behandelt Schopenhauer verschiedene Betrachtungsweisen auf die Welt als Vorstellung und die Welt als Wille. Dieses Buch ist ein unver nderter Nachdruck der l ngst vergriffenen Originalausgabe von 1891.

ARTHUR SCHOPENHAUER, the famous nineteenth-century Ger-man pessimist who expanded on the ideas of Plato and Immanuel Kant, wrote accessibly, leading his ideas to resonate with both philosophers and artists alike.

The son of Heinrich Floris Schopenhauer and Johanna Hen-riette Troisiener, Arthur was born in Danzig on February 22, 1788, just one month after English Romantic poet George Gor-don, Lord Byron. A middle-class Dutch family involved in inter-national trade, the Schopenhauers chose Arthur as their son's name because the appellation is spelled the same in English, French, and German. Once Prussia annexed Danzig in 1793, the Schopenhauer family moved first to Hamburg, then Arthur spent much of his youth living throughout Europe, learning many lan-guages. Although his father prepared him to inherit the family mercantile business, Arthur Schopenhauer found that the schol-arly life suited him perfectly. After Heinrich's 1805 death, Johanna moved her family from Hamburg to Weimar, where Johanna, an author herself, befriended the writer Johann Wolf-gang von Goethe.

Arthur Schopenhauer enrolled in the University of Gottin-gen and received his doctorate from the University of Jena in 1813. His dissertation, The Fourfold Root of the Principle of Suf-ficient Reason, explored the philosophical assumption that equates reality with rationality. According to Schopenhauer, in order for one to contemplate an explanation for a particular thing, one must assume that there is a subject (oneself) that thinks about the object (thing to be explained). Schopenhauer built his thesis on the work of Kant, who noted that humans can-not transcend themselves and therefore cannot satisfactorily answer metaphysical questions, and G. W. Leibniz, who first defined the principle of sufficient reason, which states that absolutely nothing exists that lacks an adequate reason for its existence.

Schopenhauer's most famous work, the two-volume The World as Will and Representation, sprung from ideas put forth in The Fourfold Root. Schopenhauer's philosophical inquiries led him to embrace a pessimistic worldview--life is a mean-ingless struggle against the irrational impulses of the will. One could find some solace, however, through aesthetic perception, morality, and asceticism. With regard to the first, Schopenhauer considered artistic endeavors to be the communication of Pla-tonic Ideas, with music as the highest of all art forms because of its instant objectification of the will. Schopenhauer's ideas influ-enced many literary figures--including Samuel Beckett, Joseph Conrad, Leo Tolstoy, W. B. Yeats, and Emile Zola--as well as musicians such as Johannes Brahms and Richard Wagner.

In the early 1920s, Schopenhauer began lecturing at the University of Berlin, purposely scheduling his classes concur-rent with those of G. W. F. Hegel. Schopenhauer strongly dis-liked Hegel and his philosophy; the former felt that the latter tried to make up for a lack of content in his works by ensnaring the reader in meaningless jargon.

Schopenhauer left Berlin in 1831 to escape the threat of a cholera epidemic, eventually settling in Frankfurt, where he spent the rest of his life. By the mid-1850s, Schopenhauer gained the recognition that he had longed for when a review of his philosophical work appeared in the Westminster Review, which connected some of Schopenhauer's thought with that of Johann Gottlieb Fichte. Schopenhauer's health gradually dete-riorated in 1860 until he died of natural causes on September 21 in Frankfurt. New editions of most of Schopenhauer's works began to appear in 1873.

Other works by Schopenhauer include On Vision and Col-ors (1816), On the Will in Nature (1836), The Two Fundamen-tal Problems of Ethics (1839-40), Parerga und Paralipomena (1851), and The Wisdom of Life and Counsels and Maxims (1886).

SKU	Unavailable
ISBN 13	9783843040402
ISBN 10	3843040400
Title	Die Welt als Wille und Vorstellung
Author	Arthur Schopenhauer
Condition	Unavailable
Binding Type	Paperback
Publisher	Henricus - Edition Deutsche Klassik Gmbh, Berlin
Year published	2014-01-29
Number of pages	702
Cover note	Book picture is for illustrative purposes only, actual binding, cover or edition may vary.