
The Witch's Flight by Kara Keeling
Contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. The author finds hidden within the histories and logics generated by US-based struggles against racism, sexism, and homophobia, the Black femme's invisible, affective labour.-
Time Binds
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Animacies
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Wild Things
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Impossible Desires
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Mobile Subjects
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Surrogate Humanity
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Movement and the Ordering of Freedom
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Global Divas
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Monstrous Intimacies
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Arresting Dress
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Queer in Translation
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Queer Korea
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Disaffected
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The Sense of Brown
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A View from the Bottom
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Pedagogies of Crossing
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IVenceremos?
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Unruly Visions
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Visual Occupations
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Chinese Surplus
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Queen for a Day
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Safe Space
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Fractal Repair
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Racial Castration
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Unruly Comparison
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Emergent Genders
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Interventions Into Modernist Cultures
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Performance in America
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Freedom with Violence
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Metroimperial Intimacies
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Strange Affinities
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Thiefing Sugar
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Desiring China
“Kara Keeling offers a tour de force extension of Deleuze’s writings: she understands cinema as a form of thought, as well as a motor of a shared sensorium, capable of numbing repetition as well as provocative alternative visionsNo ‘Deleuzeobabble’ here, though, just sweet grooves and careful readings. With lucid and piercing argument, Keeling is a serious critic of black visual culture, following a line of powerful litanies for survival from Frantz Fanon to Angela Davis to Fred Moten.”—Amy Villarejo, author of Lesbian Rule: Cultural Criticism and the Value of Desire
“There is a special alchemy at work in this wonderful project that transforms painstaking research and original theoretical insight into a superb understanding of the cinematic’s deeply cathected relation to blackness, gender, and sexuality. Kara Keeling watches, reads, and stitches together a tapestry that teaches us how to re-read and re-think what we thought we knew already of visual culture, of the peculiarities of our social order’s self-imagination, and of the survival of black femme desire.”—Wahneema Lubiano, editor of The House that Race Built
“Methodologically, The Witch’s Flight fits squarely on the shelf with other film, visual, and media studies scholarship while also straddling critical U.S. historiography, queer theory, women’s studies, and critical race studies. And yet, its methodology represents more than an example of interdisciplinarity precisely because it uniquely embodies a field of thought working to understand its own implication in reproducing global capitalism, neoliberalism, and the ruse of representation.” -- Stacy I. Macías * GLQ *
"[A] rich, provocative, deeply personal book. . . . Keeling's work is revelatory and refreshing; this is a book that continually engages the reader. Highly recommended.” -- G. A. Foster * Choice *
"Keeling’s book is an astonishing example of how to do things with film and feminism.... Evidence that feminist film theory not only changes how you see the world, but changes the world itself." -- Sophie Mayer * British Film Institute *
“There is a special alchemy at work in this wonderful project that transforms painstaking research and original theoretical insight into a superb understanding of the cinematic’s deeply cathected relation to blackness, gender, and sexuality. Kara Keeling watches, reads, and stitches together a tapestry that teaches us how to re-read and re-think what we thought we knew already of visual culture, of the peculiarities of our social order’s self-imagination, and of the survival of black femme desire.”—Wahneema Lubiano, editor of The House that Race Built
“Methodologically, The Witch’s Flight fits squarely on the shelf with other film, visual, and media studies scholarship while also straddling critical U.S. historiography, queer theory, women’s studies, and critical race studies. And yet, its methodology represents more than an example of interdisciplinarity precisely because it uniquely embodies a field of thought working to understand its own implication in reproducing global capitalism, neoliberalism, and the ruse of representation.” -- Stacy I. Macías * GLQ *
"[A] rich, provocative, deeply personal book. . . . Keeling's work is revelatory and refreshing; this is a book that continually engages the reader. Highly recommended.” -- G. A. Foster * Choice *
"Keeling’s book is an astonishing example of how to do things with film and feminism.... Evidence that feminist film theory not only changes how you see the world, but changes the world itself." -- Sophie Mayer * British Film Institute *
Kara Keeling is Assistant Professor of Critical Studies in the School of Cinematic Arts and of African American Studies in the Department of American Studies and Ethnicity at the University of Southern California. She is a coeditor of James A. Snead’s Racist Traces and Other Writings: European Pedigrees/African Contagions.
| SKU | Unavailable |
| ISBN 13 | 9780822340256 |
| ISBN 10 | 0822340259 |
| Title | The Witch's Flight |
| Author | Kara Keeling |
| Series | Perverse Modernities: A Series Edited By Jack Halberstam And Lisa Lowe |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Duke University Press |
| Year published | 2007-11-05 |
| Number of pages | 224 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |
































