
Visual Heritage in the Digital Age by Eugene Ch'ng
Visual Heritage in the Digital Age-
Computational Art at the Venice Biennale (1970–2015)
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Art History in the Age of Artificial Intelligence
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Cultural Robotics: Social Robots and Their Emergent Cultural Ecologies
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Visual Heritage: Digital Approaches in Heritage Science
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Augmented Reality in Education
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Art and Culture in the Multiverse of Metaverses
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Visual Computing for Cultural Heritage
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Movement, Time, Technology, and Art
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Kawaii Engineering
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Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
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Music and Human-Computer Interaction
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Computation and the Humanities
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Cuteness Engineering
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Interactive Experience in the Digital Age
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Cross-Cultural Computing: An Artist's Journey
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Emergence in Interactive Art
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Curating the Digital
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Collective Principles and the Formation of the Internet
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Human-Computer Creativity
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Transformative Museum Experiences
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Creativity in the Digital Age
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Artificial Media
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Augmented Reality in Tourism, Museums and Heritage
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Augmented Reality Art
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Explorations in Art and Technology
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Personal Multimedia Preservation
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Museum Experience Design
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Rhythm, Play and Interaction Design
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Creative Convergence
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The Algorithmic Dimension
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The Language of Creative AI
Henry Chapman is Professor of Archaeology at the University of Birmingham. Following an undergraduate degree in Archaeology at the University of Exeter, he moved to the Royal Commission on Historical Monuments of England. Based within their Exeter office, he worked as an archaeological landscape investigator before moving to the University of Hull as a member of the English Heritage funded Humber Wetlands Project, and undertaking a PhD focusing on the application of GIS in landscape archaeology at the same time. Henry subsequently working on various other wetland archaeology projects at the University of Hull, before moving to Birmingham, initially as part of Visual and Spatial Technology Centre (Vista). He was a founding director of the Digital Humanities Hub, before becoming a lecturer. With a primary focus on later prehistory and wetland archaeology, and applied digital technologies, his research centres on the use of GIS, technical survey, and other digital technologies for the study of the past.
Professor Vincent Gaffney is Anniversary Chair in Landscape Archaeology at the Department of Archaeological Sciences at the University of Bradford. His undergraduate degree was taken at the University of Reading, and, following fieldwork at Stonehenge and on the Berkshire Downs, he spent a number of years in museums. Deciding to study for a PhD at Reading he moved to former Yugoslavia, was based in Ljubljana (Slovenia), but worked on the island of Hvar in Croatia. On returning to Britain, he worked at the University of Birmingham before moving to the University of Bradford. His research has included studies of Roman urbanisation at Wroxeter, survey of Diocletian's Mausoleum, the wetland landscape of the river Cetina (Croatia), fieldwork in Italy and historic landscape characterisation at Fort Hood (Texas). An early adopter of GIS in archaeology, and an advocate of digital applications in heritage research, he founded the Visual and Spatial Technology Centre (Vista) at Birmingham, and is now part of the Visualising Heritage team at Bradford. He leads the UK team within the UK/LBI_ArchPro Stonehenge Hidden Landscapes project, and is Principal Investigator on the ERC Advanced Grant project 'Europe's Lost Frontiers'.
Professor Andrew S. Wilson, MCIfA, FHEA is an Archaeologist and Heritage Scientist with wide-ranging research interests in Digital Heritage, Human Bioarchaeology, Conservation, Taphonomy, and Forensic Archaeology. He is based in the School of Archaeological & Forensic Sciences at the University of Bradford. He trained in Conservation at UCL Institute of Archaeology and in Human Bioarchaeology at Sheffield and Bradford. He has worked for the Smithsonian Institution, Wiltshire County Council Conservation Service and in commercial archaeology. Awards include Museums & Galleries Commission National Conservation Award (1999); World's Archaeological Research Awards (2017); and ALT Learning Technologist of the Year Research Award (2020 - Highly Commended); His research has featured in major interdisciplinary publications including Nature, Science, PNAS, Current Biology, Nature Scientific Reports, PLoSONE. He is Member of the Editorial Board for the Journal of World Prehistory and a member of the Forensic Archaeology Expert Panel for CIfA. He Co-Directs Visualising Heritage with varied imaging and visualisation capabilities at the University of Bradford and has led landmark Digital Heritage projects with research funding from sources including AHRC, Jisc, GCRF, British Academy, HEIF, The Wellcome Trust, Research England, Historic Environment Scotland, Shetland Amenity Trust, HS2 and City of Bradford Metropolitan District Council.
| SKU | Unavailable |
| ISBN 13 | 9781447155348 |
| ISBN 10 | 1447155343 |
| Title | Visual Heritage in the Digital Age |
| Author | Eugene Ch'ng |
| Series | Springer Series On Cultural Computing |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Springer London Ltd |
| Year published | 2013-12-17 |
| Number of pages | 361 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |






























