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Stalag Luft III Charles Messenger

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Stalag Luft III By Charles Messenger

Stalag Luft III by Charles Messenger


13,30 £
Condition - Like New
Out of stock

Summary

Photographic history of the POW camp that inspired the film The Great Escape.

Stalag Luft III Summary

Stalag Luft III: Rare Photographs from Wartime Archives by Charles Messenger

In early 1942 the Third Reich opened a maximum security Prisoner Of War camp in Lower Silesia for captured Allied airmen. Called Stalag Luft III, the camp soon came to contain some of the most inventive escapers ever known. The escapers were led by Squadron Leader Roger Bushell, code-named 'Big X'. In March 1944, Bushell masterminded an attempt to smuggle hundreds of POWs down a tunnel build right under the notes of their guards. In fact, only 79 Allied airmen clambered into the tunnel and only three made successful escapes. This remarkable escape would be immortalised in the famous Hollywood film THE GREAT ESCAPE, in which the bravery of the men was rightly celebrated. Behind the scenes photographs from the film are included in this definitive pictorial work on the most famous POW camp of World War II.

About Charles Messenger

CHARLES MESSENGER served for twenty years in the Royal Tank Regiment before retiring to become a military historian and defence analyst. He is the author of some forty books, mainly on twentieth century warfare. Some have been published in several languages and have been widely acclaimed. He has also written and helped to direct several TV documentary series and carried out a large number of historical studies for the Ministry of Defence.

Additional information

GOR011205686
9781784384463
1784384461
Stalag Luft III: Rare Photographs from Wartime Archives by Charles Messenger
Used - Like New
Paperback
Greenhill Books
2019-03-04
144
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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