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Kehinde Wiley at the National Gallery Christine Riding

Kehinde Wiley at the National Gallery By Christine Riding

Kehinde Wiley at the National Gallery by Christine Riding


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Summary

Presenting new work by American artist Kehinde Wiley, as he explores the European landscape tradition through film and painting

Kehinde Wiley at the National Gallery Summary

Kehinde Wiley at the National Gallery by Christine Riding

Presenting new work by American artist Kehinde Wiley, as he explores the European landscape tradition through film and painting

The American artist Kehinde Wiley (b. 1977) is best known for his spectacular portraits of African Americans with knowing references to the grand European tradition of painting. He was commissioned in 2017 to paint Barack Obama, becoming the first Black artist to paint an official portrait of a president of the United States. His work makes reference to old master paintings by positioning contemporary Black sitters in the pose of the original historical figures, raising issues of power and identity, and the absence or relegation of Black and minority-ethnic figures within European art.

For his first collaboration with a major UK gallery, Wiley will depart from portraiture to explore the European landscape tradition through the medium of film and painting, casting Black Londoners from the streets of Soho. His new works will explore European Romanticism and its focus on epic scenes of oceans and mountains, drawing inspiration from the National Gallery's masterpieces in landscape and seascape.

About Christine Riding

Christine Riding is the Jacob Rothschild Head of the Curatorial Department and Curator of British Paintings at the National Gallery, London.

Additional information

GOR012172878
9781857096774
1857096770
Kehinde Wiley at the National Gallery by Christine Riding
Used - Like New
Hardback
National Gallery Company Ltd
2022-01-11
120
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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