This hybrid collection of ecocritical and literary responses to the Cuban environment and to Cuban environmental culture offers a stimulating map of the ongoing process of mutual encouragement and support between academic and artistic communities located on the island and abroad. The variety of subjects and experiences-a complex network of literary and artistic traditions and ventures-shows a fruitful desire for connection beyond national borders, an authentic aspiration toward dialogue, which implies a polemic openness for American and Cuban participants alike. This book offers seeds of diverse, alternative environmentalisms in the context of dominant neoliberal fantasies: an invitation to overcome complicities with our respective systems and blind spots about our differences and resemblances. This is a powerful call not only for more innovative scholarly work, but also for expanding our quest for public debate over the meaning of the environment in our political and cultural lives. -- Roberto Forns-Broggi, Metropolitan State University of Denver; author of Knots like Stars: The ABC of Ecological Imagination in our Americas
This refreshing collection of complementary essays brings to the fore, through translation, the often-neglected voice of Cuban artists and ecocritics, together with that of American hispanists and ecocritics: one more example of the growing strength and breadth of environmental humanities in non-English speaking cultures. -- Carmen Flys-Junquera, Instituto Franklin, Universidad de Alcala, editor of Ecozon@
An Island in the Stream gathers a rich array of texts in an anthology of critical essays, short stories, memoirs, travelogues, and poetry for an ecocritical examination of the scholarly and creative work of Cuban writers, artists, performers, and intellectuals. What is especially valuable about the collection is the way in which it functions as a corrective to the perception that Cuban texts have not been particularly concerned with the natural world. On the contrary, the book includes insightful ecocritical analyses of well-known literary figures such as Alejo Carpentier, Jose Marti, and Jose Maria Heredia, while it also provides some needed exposure to the nature writing of lesser-known authors such as Lydia Cabrera and Antonio Jose Ponte. And, An Island in the Stream delves farther afield into Green Cuban cultural production with the inclusion of selected poetry and discussions of theater, painting, sculpture, even the environmental significance of a hand-carved spinning top. All of these elements come together for a particularly illuminating glimpse of current ecocritical thought from leading scholars in the field along with novel examples from a variety of unique and uniquely ecological Cuban imaginative work.
-- Scott M. DeVries, Manchester University
