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Verdi and the Germans Gundula Kreuzer (Yale University, Connecticut)

Verdi and the Germans By Gundula Kreuzer (Yale University, Connecticut)

Verdi and the Germans by Gundula Kreuzer (Yale University, Connecticut)

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Summary

Drawing on an exceptionally broad range of sources, in this book Kreuzer explores how Italian opera, epitomised by Giuseppe Verdi, influenced ideas of German musical and national identity from the mid nineteenth century onwards. The book discusses the changing image of Verdi and the transnational dissemination, reception and political appropriation of his works.

Verdi and the Germans Summary

Verdi and the Germans: From Unification to the Third Reich by Gundula Kreuzer (Yale University, Connecticut)

This seminal study of Giuseppe Verdi's German-language reception provides important new perspectives on German musical culture and nationalism from the mid-nineteenth century onwards. Kreuzer argues that the concept of Germany's musical supremacy, so dear to its nationalist cause, was continually challenged by the popularity of Italian opera, a genre increasingly epitomised by Verdi. The book traces the many facets of this Italian-German opposition in the context of intense historical developments from German unification in 1871 to the end of World War II and beyond. Drawing on an exceptionally broad range of sources, Kreuzer explores the construction of visual and biographical images of Verdi; the marketing, interpretation and adaptation of individual works; regional, social and religious undercurrents in German musical life; and overt political appropriations. Suppressed, manipulated and, not least, guiltily enjoyed, Verdi emerges as a powerful influence on German intellectuals' ideas about their collective identity and Germany's paradigmatic musical Other.

Verdi and the Germans Reviews

'Verdi and the Germans boldly explores new directions in the study of nationalism and music. Instead of focusing on the 'German-ness' of German composers, as has been done thus far, it looks at how Germans reacted to the most prominent non-German composer of the nineteenth century, Giuseppe Verdi. This long and fascinating story, told by Gundula Kreuzer with immense erudition and sharp insight, is well worth reading not only for musicologists, but also for cultural and social historians, as well as anybody interested in the tentacular hold of nationalism over minds, hearts and ears.' Emanuele Senici, University of Rome
'Gundula Kreuzer has addressed a theme of capital importance in this book: the role of foreign cultures in creating a nation's self image. She could hardly have chosen a more appropriate reception study to interrogate this theme. In the course of her absorbing, and engagingly written, book she sheds light on Verdi and on German culture alike, and with an historical sweep which takes us to the Third Reich and beyond. Based on a careful trawl of journals and newspapers (the weight of research collapsed into her footnotes is truly impressive), Verdi and the Germans is scholarship of the very highest quality.' Jim Samson, Royal Holloway, University of London
'Draws upon a wide and impressive range of documentary sources.' Opera
'Kreuzer shows a courageous willingness to confront some uncomfortable truths. Her engrossing book is a vivid illustration of how music can be used in the service of politics and a warning that we ignore the significance of the arts at our peril.' Music and Letters

About Gundula Kreuzer (Yale University, Connecticut)

Gundula Kreuzer is Assistant Professor of Music at Yale University. Her work on Verdi's music and reception, the marketing of opera and the theory and history of staging has appeared in various journals and collected volumes, including the Cambridge Opera Journal and the Journal of the American Musicological Society, and has earned her the Alfred Einstein Award of the American Musicological Society as well as the Jerome Roche Prize of the Royal Musical Association. She is editor of The Works of Giuseppe Verdi, Series V: Instrumental Chamber Music (2009) and has been serving as Reviews and Associate Editor for The Opera Quarterly.

Table of Contents

Preface; 1. Introduction: Italian opera and German historiography; 2. Verdi's Requiem and the anxious young Kaiserreich; 3. Maestro to Meister: Verdi purified; 4. The 'Verdi renaissance'; 5. Verdi in the Third Reich; 6. Epilogue: post-war Verdi; Appendix 1. Verdi's Requiem in German-language countries, 1875-1901; Appendix 2. Successful Verdi revivals in German-language theatres, 1901-51; Select bibliography.

Additional information

NLS9781107638402
9781107638402
1107638402
Verdi and the Germans: From Unification to the Third Reich by Gundula Kreuzer (Yale University, Connecticut)
Gundula Kreuzer (Yale University, Connecticut)
New Perspectives in Music History and Criticism
New
Paperback
Cambridge University Press
2014-06-19
384
Winner of American Musicological Society Lewis Lockwood Award 2011
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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