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British Luxury Cars of the 1950s and '60s James Taylor

British Luxury Cars of the 1950s and '60s By James Taylor

British Luxury Cars of the 1950s and '60s by James Taylor


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British Luxury Cars of the 1950s and '60s Summary

British Luxury Cars of the 1950s and '60s by James Taylor

In the 1950s and 1960s, luxury car buyers, from government ministers to captains of industry, almost invariably bought British. These were stately, dignified, and grand vehicles, with many featuring leather interiors and wood trim. Unfortunately, that market has now largely disappeared and, with it, so have the car-makers themselves. This new book covers cars in the over-3-litre class from the biggest names in British luxury motoring including Alvis, Daimler, and Lagonda, and high-end models from Austin, Rover, and Jaguar. It examines the features and characteristics of these classic cars, as well as explaining why they fell from prominence in the 1970s. Replete with beautiful photography throughout, this book is a loving portrait of the British luxury car, a dearly missed saloon defeated by foreign imports.

About James Taylor

James Taylor has been writing about cars and transport since the 1970s and his books for Shire include Family Cars of the 1970s, British Sports Cars of the 1950s and '60s and Land Rover.

Table of Contents

Introduction The Pinnacle: Rolls-Royce and Bentley The Old-established Names: Daimler and Armstrong Siddeley The Volume Producers: Humber and Rover The Sporting Dimension: Alvis, Lagonda and Jaguar The Great Pretenders: BMC Further Reading Places to Visit Index

Additional information

GOR010902949
9781784420642
1784420646
British Luxury Cars of the 1950s and '60s by James Taylor
Used - Like New
Paperback
Bloomsbury Publishing PLC
20160922
64
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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