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Script Culture and the American Screenplay Kevin Alexander Boon

Script Culture and the American Screenplay By Kevin Alexander Boon

Script Culture and the American Screenplay by Kevin Alexander Boon


Summary

Though the history of the screenplay is as long and rich as the history of film itself, critics and scholars have neglected it as a topic of serious research. Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology.

Script Culture and the American Screenplay Summary

Script Culture and the American Screenplay by Kevin Alexander Boon

By considering the screenplay as a literary object worthy of critical inquiry, this volume breaks new ground in film studies.Though the history of the screenplay is as long and rich as the history of film itself, critics and scholars have neglected it as a topic of serious research. ""Script Culture and the American Screenplay"" treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. In distancing the text of screenplays from the on-screen performance typically associated with them, Kevin Alexander Boon expands the scope of film studies into exciting new territory with this volume.""Script Culture and the American Screenplay"" is divided into two parts. Part 1 provides a general background for screenplay studies, tracing the evolution of the screenplay from the early shot lists and continuities of George Melies and Thomas Harper Ince to the more detailed narratives of contemporary works. Part 2 offers specific, primarily thematic, critical examinations of screenplays, along with discussions of the original screenplay and the screenplay adaptation. In all, Boon explains that screenplay criticism distinguishes itself from traditional film studies in three major ways. The primary focus of screenplay criticism is on the screenplay rather than the film, the focus of screenplay studies is on the screenwriter rather than the director, and screenplay criticism, like literary criticism, is written to illuminate a reader's understanding of the text.Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their interrelationships and marked difference, screenplays constitute a rich cache of works worthy of critical examination. Film scholars as well as students of film, creative writing, and literary studies will appreciate this singular volume.

Script Culture and the American Screenplay Reviews

Script Culture and the American Screenplay undertakes a worthy endeavor in arguing the literary value of quality screenplays while recognizing all the problems associated with locating and identifying actual shooting scripts as opposed to earlier draft versions, much less film transcriptions. - Jack Boozer, professor of communication at Georgia State University

About Kevin Alexander Boon

Kevin Alexander Boon is associate professor of English at Pennsylvania State University, Mont Alto.

Additional information

CIN0814332633VG
9780814332634
0814332633
Script Culture and the American Screenplay by Kevin Alexander Boon
Used - Very Good
Paperback
Wayne State University Press
2008-01-30
240
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

Customer Reviews - Script Culture and the American Screenplay