A seminal survey of 80s graffiti and street art, this book features the works of Basquiat alongside his contemporaries including Keith Harring, Lady Pink, Fab 5 Freddy and others. Black, Latinx and immigrant stories are translated through a form of artistic expression that moved from the boroughs and into galleries across the world. -- David Saric * S Magazine *
[Writing the Future: Basquiat and the Hip-Hop Generation] traces how a group of young artists involved in the hip-hop scene went from tagging subway cars to participating in the mainstream, white-dominated art world... -- Nora McGreevy * Smithsonian *
This catalog is a true companion to a physical exhibit. Instead of acting as a monograph for the lone genius artist, a typical trope in the history of western art, the exhibit tells the story of a community of artists, all with varying levels of notoriety within their own circles and the art world at large. The texts and images weave a story that calls upon all five senses by referencing music, visual arts, film, and dance. The exhibit catalog presents Basquiat as his whole self, which includes his cultural influences, collaborators, and friends, and does not isolate him from the moment in time that enabled his rapid rise to fame. -- Jasmine Burns * ARLIS/NA Reviews *
[T]here's more to this exhibition than putting Basquiat in context. It's about a bigger phenomenon - a struggle for visibility that spilled over into hyper-visibility. It addresses a key period in Black creativity and urban youth culture, an extended moment too little understood by a mainstream culture that consigns it to the margins even as it swims in the very conditions it created. -- Sebastian Smee * Washington Post *
From the streets to the studio: [Writing the Future: Basquiat and the Hip-Hop Generation] explores how Basquiat, graffiti and hip-hop culture stormed the art world in the 1980s. -- Gabriella Angeleti * Art Newspaper *
...Feel like the most important exhibition on Basquiat you'll ever see, and he's just one artist among the show's dozen. [...] It's wildly evocative and transporting - holistic, immersive, experiential, and far greater than the sum of its 120-plus parts. -- Murray Whyte * Boston Globe *
Munsell's argument isn't about tracing Basquiat's origins as an artist, or repeating a standard narrative about how graffiti and street art were formative experiences leading up to his masterpieces on canvas. Instead, Munsell makes a point of anchoring his complete career in this context. [...] For 'Writing the Future,' Munsell and co-curator Greg Tate place Basquiat's now familiar and extraordinarily expensive paintings in and among work that has largely been ignored by blue-chip galleries and auction houses. -- Damon Krukowski * Art In America *
In these flattened times, Writing the Future conveys motion. The book, a companion to a suspended exhibition at Boston's Museum of Fine Arts, is about Basquiat, his contemporaries, and early hip-hop culture, but it's also about the movements and rhythms of New York City-'the work of the subway writers became as optically and optimally omnipresent as the Manhattan skyline,' Greg Tate writes. And in its dynamic blend of art, history, and analysis, it has a movement of its own. -- Dan Adler * Vanity Fair *
...to leaf through this prodigy's oeuvre intermingled with photos of what he called just ... you know, my friends and stuff; of their tags brightening storefronts and subway cars, of the boomboxes and leather jackets and reference books they at once desecrated and elevated, is to hold in your hands the record of a place and a time and a togetherness we can only hope one day to experience again. -- Lauren Christensen * New York Times *
Writing the Future' differentiates itself as the first major exhibition to contextualize Basquiat's work in relation to his peers associated with hip-hop culture. -- Chadd Scott * Forbes: Media *
