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Architecture In Britain & Ireland 600-1500 Lucy Archer

Architecture In Britain & Ireland 600-1500 By Lucy Archer

Architecture In Britain & Ireland 600-1500 by Lucy Archer


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Summary

The first volume in a series of three, this text offers an account of the architecture in Britain and Ireland between 600 and 1500. It includes a glossary of architectural terms and a gazetteer covering thousands of sites.

Architecture In Britain & Ireland 600-1500 Summary

Architecture In Britain & Ireland 600-1500 by Lucy Archer

Everyone interested in architecture will find this book an indispensable companion to the discovery and appreciation of the astonishing number of Celtic, Saxon, Norman and medieval buildings and monuments which are still to be seen throughout Britain and Ireland. While providing a brief historical background to each period, it is mainly a comprehensive guide to the development and use of the wide range of surviving secular and ecclesiastical buildings, including church furnishings.

About Lucy Archer

Lucy Archer is the author of Raymond Erith, Architect, a study of Britain's leading post-war classicist. She writes and lectures about the continuing relevance of architectural tradition in the modern world. Edwin Smith was one of England's most outstanding 20th-century photographers, whose poetic eye invested his work with a rare calm and sense of infinity. Most famous for his images of the architecture and landscape of Britain, he also left a remarkable record of his extensive travels in Europe. The photographs in this work have been chosen by his widow, Olive Cook, in collaboration with the author.

Additional information

GOR006473115
9781860464041
1860464041
Architecture In Britain & Ireland 600-1500 by Lucy Archer
Used - Like New
Paperback
Vintage Publishing
19991007
468
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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