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The Cambridge Companion to the Harpsichord Mark Kroll (Boston University)

The Cambridge Companion to the Harpsichord By Mark Kroll (Boston University)

The Cambridge Companion to the Harpsichord by Mark Kroll (Boston University)


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Summary

This Companion is an invaluable resource for music students and teachers, professional and amateur musicians, scholars and record collectors. It provides seventeen chapters on every aspect of the harpsichord and its music - composers, genres, national styles, tuning and the art of harpsichord building - by fourteen leading experts in the field.

The Cambridge Companion to the Harpsichord Summary

The Cambridge Companion to the Harpsichord by Mark Kroll (Boston University)

Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.

The Cambridge Companion to the Harpsichord Reviews

'This book is a valuable addition to the existing literature on this subject, to be commended to every harpsichord student or aficionado.' Therese de Goede, Early Music

About Mark Kroll (Boston University)

Mark Kroll's distinguished career as a performer, scholar and educator spans a period of more than fifty years. He has appeared worldwide as a harpsichordist and fortepianist, published four books, made numerous recordings, and is Professor emeritus at Boston University, where he served for twenty-five years as Professor of Harpsichord and Chair of the Department of Historical Performance. He is currently recording the complete Pieces de clavecin of Francois Couperin.

Table of Contents

Introduction; 1. History and construction of the harpsichord John Koster; 2. The Virginalists Pieter Dirksen; 3. England Andrew Woolley; 4. The Netherlands and Northern Germany Ton Koopman; 5. Southern Germany and the Austro-Hungarian Empire to 1750 Pieter Dirksen; 6. France Mark Kroll; 7. Italy Rebecca Cypess; 8. Portugal Joao Pedro d'Alvarenga; 9. Spain Agueda Pedrero-Encabo; 10. Domenico Scarlatti in Portugal and Spain Joao Pedro d'Alvarenga and Agueda Pedrero-Encabo; 11. Russia Marina Ritzarev; 12. The Nordic and Baltic countries Anna Maria McElwain; 13. The harpsichord in colonial Spanish and Portuguese America Pedro Persone; 14. Bach, Handel and the harpsichord Robert L. Marshall; 15. The harpsichord in ensemble Mark Kroll; 16. Contemporary harpsichord music Larry Palmer; 17. Tuning and temperament Paul Poletti.

Additional information

NLS9781316609705
9781316609705
1316609707
The Cambridge Companion to the Harpsichord by Mark Kroll (Boston University)
New
Paperback
Cambridge University Press
2019-01-03
406
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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