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A Cultural History of Animals in the Modern Age Professor Randy Malamud (Georgia State University, USA)

A Cultural History of Animals in the Modern Age By Professor Randy Malamud (Georgia State University, USA)

A Cultural History of Animals in the Modern Age by Professor Randy Malamud (Georgia State University, USA)


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Summary

A thematic overview of how animals were seen and used in the period from1920 to the present day, covering symbolism, hunting, domestication, sports and entertainment, science, philosophy, and art.

A Cultural History of Animals in the Modern Age Summary

A Cultural History of Animals in the Modern Age by Professor Randy Malamud (Georgia State University, USA)

A Choice Outstanding Academic Title, 2008 Human culture is now more dangerous to non-human animals than ever before. The destruction of natural habitats and the killing of animals for food, science, medicine or trophy - sometimes to the point of extinction - is the stuff of newspaper headlines. We live in a time when the idea of an animal's habitat has almost become irrelevant, except as a historical curiosity, yet also in a time when the public and philosophical acknowledgement of animal rights and environmental ethics is on the rise. Animals are enmeshed in human culture simply because people are so interested in them. Animals remain central to our sense of the natural world. Our pets are often seen as our closest companions through life. At the same time, the last century has seen the use of animals in scientific experimentation and major changes in industrial-scale animal farming. Never has the relationship between human and non-human animals been more hotly contested. A Cultural History of Animals in the Modern Age presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy, and art.

A Cultural History of Animals in the Modern Age Reviews

The Cultural History of Animals presents an innovative and compelling introduction to current scholarship about the historical relationships between people and other animals. * Harriet Ritvo, Arthur J. Conner Professor of History, M.I.T. *
An innovative and ambitious project that synthesizes knowledge of animals as living creatures and their symbolic representations... an invaluable contribution to our understanding... A combination of surprise and entertainment with serious research gives these volumes a place in the best tradition of accessible science. * Bernd Huppauf, New York University for H-Soz-u-Kult *
High quality editing, clear writing, and abundant visual illustrations ... These volumes will be basic to future scholarship dealing with animals and society. Essential. * Choice *

About Professor Randy Malamud (Georgia State University, USA)

Randy Malamud is Professor of English at Georgia State University, and author of Reading Zoos: Representations of Animals and Captivity and Poetic Animals and Animal Souls.

Table of Contents

Introduction: Famous Animals in Modern Culture
Randy Malamud, Georgia State University

1. The Golden Spider and Her World-Wide Web: Sacred and Symbolic Animals in the Era of Change
Boria Sax, Mercy College

2. Hunting in the Modern Age
Garry Marvin, Roehampton University

3. The Present and Future of Animal Domestication
Margo DeMello, Albuquerque TVI College, New Mexico

4. Zoo Animals as Entertainment Exhibitions
David Hancocks, Royal Institute of British Architects, Australia

5. Scientific Animals: The Laboratory and its Human-Animal Relations, from Dba to Dolly
Karen Rader, Virginia Commonwealth University

6. Animal Philosophy: Ethics and Zoontology
Ralph Acampora, Hofstra University

7. Animals in Twentieth-Century Art
Jonathan Burt, Independent Scholar, UK

Notes
Bibliography
Index

Additional information

NLS9781847888228
9781847888228
1847888224
A Cultural History of Animals in the Modern Age by Professor Randy Malamud (Georgia State University, USA)
New
Paperback
Bloomsbury Publishing PLC
2011-02-01
272
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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