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Writing Dialogue for Scripts Rib Davis

Writing Dialogue for Scripts By Rib Davis

Writing Dialogue for Scripts by Rib Davis


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Writing Dialogue for Scripts Summary

Writing Dialogue for Scripts by Rib Davis

A good story can easily be ruined by bad dialogue. Now in its 4th edition, Rib Davis's bestselling Writing Dialogue for Scripts provides expert insight into how dialogue works, what to look out for in everyday speech and how to use dialogue effectively in scripts. Examining practical examples from film, TV, theatre and radio, this book will help aspiring and professional writers alike perfect their skills. The 4th edition of Writing Dialogue for Scripts includes: a look at recent films, such as American Hustle and Blue Jasmine; TV shows such as Mad Men and Peaky Blinders; and the award winning play, Ruined. Extended material on use of narration within scripts (for example in Peep Show) and dialogue in verbatim scripts (Alecky Blythe's London Road) also features.

Writing Dialogue for Scripts Reviews

Contain[s] much useful advice for budding script writers from all points of view. * SusanElkin.co.uk *

About Rib Davis

Rib Davis has written over 60 scripts for screen, stage and radio over the course of a 30-year career. He is an award-winning playwright and has also worked as a script reader for both the BBC and the Arts Council of Great Britain.

Table of Contents

Foreword Preface Introduction 1. How Do We Talk? 2. The Characters' Agenda 3. Naturalistic Dialogue 4. Don't Make it Work Too Hard 5. Beyond the Literal 6. Heightened Naturalism 7. Tone, Pace and Conflict 8. Highly Stylised Dialogue 9. The Character Tells the Story 10. Comic Dialogue 11. Documentary Dialogue 12. Reworking the Dialogue 13. Last Words Index

Additional information

NGR9781474260077
9781474260077
1474260071
Writing Dialogue for Scripts by Rib Davis
New
Paperback
Bloomsbury Publishing PLC
20161020
240
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a new book - be the first to read this copy. With untouched pages and a perfect binding, your brand new copy is ready to be opened for the first time

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