This will be a significant and important contribution to the field and practice of printmaking and print media. The volume will be vital in MFA professional practice classes, and on theory and art historical courses.
Mary Hood, Artist
Dr Ruth Pelzer-Montadas publication is an excellent compilation of selected text spanning 3 decades. This topographical discourse points to essential aspects concerning the critical discussions and the debates on contemporary print and printmaking and the tectonic shift of it.
Jan Pettersson, Professor, Head of Print & Drawing, Department for Art & Craft, Oslo National Academy of the Arts, Norway
Combining the methodology of a practicing printmaker with the perception of a theorist, Pelzer-Montada assembles key texts on printmaking and print cultures into a comprehensive anthology of writings that reveals the depth and range of thinking and debate on this subject. A long overdue critical framing of print art, this book fulfills the need for a re-evaluation of the importance and ubiquity of print, mapping out its potential in a post-print society. [] These writings establish a genealogy of print grounded in societys desire to maintain, record and disseminate its reflective thinking processes that have ultimately shaped and evolved our need to communicate.
Andrew Folan, Head of Print, National College of Art and Design, Dublin
Perspectives on contemporary printmaking is a brilliant book! A manual like this has been longed for both in the academic world and in the studios and printshops; most thoughtful theoretical analysis of printmaking art, assembled into a single anthology. It is informative, well-organized, and knowledgeable. I particularly enjoyed the carefully formulated division into four separate parts, accompanied with Ruth Pelzer-Montadas insightful introductions. Its already a classic, the only of its kind. Highly and cordially recommended!
Annu Vertanen, artist, professor in printmaking, University of Arts, Helsinki
'Perspectives on contemporary printmaking, edited by Ruth Pelzer-Montada, is an excellent, lively collection of 32 essays focusing on the status, ontology and philosophy of print in the contemporary arena [] The varying voices are all engaging, some challenging, some beautifully articulated, provoking rumination and providing ammunition for making print the centre of our conversation.'
Wuon-Gean Ho, Printmaking Today (Winter 2018)
In this compact impressive tome, the editor has grouped together relevant themes and writings, which form a kind of activists bible or tool of resistance to not only make sense of what has occurred these last thirty years, but to assert why it matters and why printmaking is still an active participant of change and a vital force of ideas. In many ways, this astute editor enables a better understanding of how knowledge is inextricably linked to the print form as she traces an unbroken seam of print production from its origins through to today.
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