Acknowledgments
Sandra M. Gilbert and Susan Gubar, Introduction: Gender, Creativity, and the Woman Poet
I. A Lonesome Glee-Poets before 1800
1. Catherine F. Smith, Jane Lead: Mysticism and the Woman Cloathed with the Sun
2. Wendy Martin, Anne Bradstreet's Poetry: A Study of Subversive Piety
3. Katharine Rogers, Anne Finch, Countess of Winshilsea: An Augustan Woman Poet
II. Titanic Opera-Nineteenth-Century Poets
4. Nina Auerbach, This Changeful Life: Emily Bronte's Anti-Romance
5. Helen Cooper, Working into Light: Elizabeth Barrett Browning
6. Dolores Rosenblum, Christina Rossetti: The Inward Pose
7. Adrienne Rich, Vesuvius at Home: The Power of Emily Dickinson
8. Albert Gelpi, Emily Dickinson and the Deerslayer: The Dilemma of the Woman Poet in America
9. Terence Diggory, Armored Women, Naked Men: Dickinson, Whitman and Their Successors
III. The Silver Reticence-Modernists
10. Jeanne Kammer, The Art of Silence and the Forms of Women's Poetry
11. Gloria T. Hull, Afro-American Women Poets: A Bio-Critical Survey
12. Jane Stanbrough, Edna St. Vincent Millay and the Language of Vulnerability
13. Susan Gubar, The Echoing Spell of H.D.'s Trilogy
IV. The Difference-Made Me Bold-Contemporary Poets
14. Alicia Ostriker, May Swenson and the Shapes of Speculation
15. Hortense J. Spillers, Gwendolyn the Terrible: Propositions on Eleven Poems
16. Sandra M. Gilbert, A Fine, White Flying Myth: The Life/Work of Sylvia Plath
17. Suzanne Juhasz, Seeking the Exit of the Home: Poetry and Salvation in the Career of Anne Sexton
18. Barbara Charlesworth Gelpi, A Common Language: The American Woman Poet
19. Rachel Blau Duplessis, The Critique of Consciousness and Myth in Levertov, Rich, and Rukeyser
Selected Bibliography
Notes
About the Authors