Introduction: Simon Brown, Sarah Street, Liz Watkins I. HISTORY. Chapter 1. Simon Brown, "The Brighton School and the Quest for Natural Color" Redux. Chapter 2. Hilde Dhaeyere, Out of the Blue: Color Inserts in Mack Sennetts Comedy Shorts of the Late Twenties. Chapter 3. Charles OBrien, Technicolor Song Sequences: Music and Color in King of Jazz (1930). Chapter 4. Anna Batistova, Glorious Agfacolor, Breathtaking Totalvision andChanging Color Process in Czechoslovak Cinema at the Beginning of the "Scope" Boom. Chapter 5. Sarah Street, Glorious Adventures with Prizma. Chapter 6. Andrew Robert Johnston, The Color of Prometheus: Thomas Wilfred's Lumia and the Projection of Transcendence. II. THEORY. Chapter 7. Tom Gunning, Where Do Colors Go at Night? Chapter 8. Rosalind Galt, "BrashIndecentLibertine": Aesthetics and Film Theory Versus Derek Jarmans Queer Colors. Chapter 9. Jocelyn Szczepaniak-Gillece, The Hues of Memory, the Shades of Experience: The Color of Time in Syndromes and a Century. Chapter 10. Philipp Schmerheim, From Psycho to Pleasantville: The Role of Color and Black-and-White Imagery for Film Experience. III. AESTHETICS. Chapter 11. Joshua Yumibe, The Illuminated Fairytale: The Colors of Paul Fejoss Lonesome (1928). Chapter 12. Charles Tepperman, Color Unlimited: Amateur Color Cinema in the 1930s. Chapter 13. Fiona Handyside, Color and Meaning in the Films of Eric Rohmer. Chapter 14. Heather Heckman, The Cameraman and the Glamour-Puss: Technicolor Cinematography and Design in John Fords Drums Along the Mohawk. Chapter 15. Scott Higgins, Chromo-Drama: Innovation and convention in Douglas Sirks Color Designs. Chapter 16. Steven Jacobs, Colour and Set Design in Alfred Hitchcocks Rope, Under Capricorn, and Dial M for Murder. Chapter 17. John Belton, Color and Meaning in Marnie. IV. ARCHIVE. Chapter 18. Jason Gendler, Are My Eyes Really Brown? The Aesthetics of Colorization in Casablanca. Chapter 19. William Brown, "Those Men Are Not White!": Neuroscience, Digital Imagery and Color in O Brother, Where Art Thou? Chapter 20. Ulrich Rudel, Daniela Curro and Claudy Op den Kamp, Towards a More Accurate Preservation of Color: Heritage, Research and the Film Restoration Laboratory. Chapter 21. Liz Watkins, Herbert G. Pontings Materials and Texts.