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The Cambridge Companion to Pop and Rock Simon Frith (University of Stirling)

The Cambridge Companion to Pop and Rock By Simon Frith (University of Stirling)

The Cambridge Companion to Pop and Rock by Simon Frith (University of Stirling)


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Summary

This Companion provides a broad overview of the world of pop and rock. It introduces the most important and significant moments in its history and the key issues involved in understanding popular culture's most vital art form.

The Cambridge Companion to Pop and Rock Summary

The Cambridge Companion to Pop and Rock by Simon Frith (University of Stirling)

This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.

The Cambridge Companion to Pop and Rock Reviews

'Whilst being of essential reading to the student of pop and rock it is also of interest to anyone who enjoys reading about the social history of our time.' Yorkshire Gazette
'This thought-provoking companion gives would be students a taster of what they might encounter on the several courses now available ... it is to the book's credit that it adopts an all-encompassing approach.' Music Teacher
'Suitable as an introductory-level undergraduate book and there is also sufficient novelty of approach within some of the chapters to interest graduates and researchers alike.' European Journal of Communication

Table of Contents

Notes on contributors; Acknowledgements; Introduction and chronology of pop and rock; Part I. Context: 1. 'Plugged in': technology and popular music Paul Theberge; 2. The popular music industry Simon Frith; 3. Consumption Will Straw; Star profiles I: Elvis Presley, The Beatles, Bob Dylan, Jimi Hendrix, The Rolling Stones, James Brown, Marvin Gaye; Part II. Texts, Genres, Styles: 4. Pop music Simon Frith; 5. Reconsidering rock Keir Keightley; 6. Soul into hip-hop Russell A. Potter; 7. Dance music Will Straw; 8. World music Jocelyne Guilbault; Star profiles II: Bob Marley, David Bowie, Abba, Madonna, Nirvana, Public Enemy, Derrick May, The Spice Girls; Part III. Debates: 9. Pop, rock and interpretation Richard Middleton; 10. Popular music, gender and sexuality Sara Cohen; 11. Rock, pop and politics John Street; 12. From rice to ice: the face of race in rock and pop Barry Shank; 13. The 'local' and 'global' in popular music Jan Fairley; References; Index.

Additional information

GOR002015503
9780521556606
0521556600
The Cambridge Companion to Pop and Rock by Simon Frith (University of Stirling)
Used - Very Good
Paperback
Cambridge University Press
20010816
324
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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