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Piano Music of Africa and the African Diaspora Volume 3 William H. Chapman Nyaho

Piano Music of Africa and the African Diaspora Volume 3 By William H. Chapman Nyaho

Piano Music of Africa and the African Diaspora Volume 3 by William H. Chapman Nyaho


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Summary

for solo piano The third volume for early advanced pianists explores even more genres than the first two volumes, such as elements of Tango and Haitian Merengue music. 'Cell Phone Blues' is derived from pop music and Jazz. This volume also includes spirituals and African folksongs. Performance notes and composer biographies are provided as well.

Piano Music of Africa and the African Diaspora Volume 3 Summary

Piano Music of Africa and the African Diaspora Volume 3: Early Advanced by William H. Chapman Nyaho

for solo piano The third volume for early advanced pianists explores even more genres than the first two volumes, such as elements of Tango and Haitian Merengue music. 'Cell Phone Blues' is derived from pop music and Jazz. This volume also includes spirituals and African folksongs. Performance notes and composer biographies are provided as well.

Piano Music of Africa and the African Diaspora Volume 3 Reviews

It contains music that is pianistically exquisite (Coleridge-Taylor's Deep River, Ludovic Lamothe's La Dangereuse), fun (Howard Swanson's The Cuckoo, R. Nathaniel Dett's Jua Dance), dramatic (Wallace McClain Cheathem's Third Prelude) and pedagogical (Gamal Abdel-Rahim's Egyptian folksong variations, which are similar to Kabalevsky's sets of children's variations). The depth and breadth of 20th-century piano music is extended in this remarkable ongoing anthology of works by composers who remain underplayed and neglected. Volumes 4 and 5 are eagerly awaited. * International Piano, September 08 *
Compiled and edited by the Ghanaian performer and scholar W. H. Chapman Nyaho, this anthology of thirteen pieces (each written by a different composer) is quite a treasure-chest. . . There is a feast of material here, including various traditional jazz style representations, such as blues and ragtime, but also works derived from folk-tunes and drumming rhythms that will doubtless catch the eye of many pianists with a fledgline interest in the genre. * Mark Tanner, Piano Professional, Spring 09 *
A new supply of richly varied repertoire * John York, Piano 2007 *
Technically accomplished pianists seeking to develop their hands, ears, and imagination in new ways, and to take their audiences on voyages of discovery, are recommended to obtain these volumes at the earliest opportunity. * Musical Opinion *

About William H. Chapman Nyaho

William H. Chapman Nyaho is an active international performer, scholar, teacher, and clinician. Raised in Ghana and now living in the United States, Chapman Nyaho studied at Achimota School, Ghana, then at the Conservatoire de Musique de Gen`eve, Oxford University, the Eastman School of Music, and the University of Texas, Austin. Chapman Nyaho has performed in Asia, Africa, Europe, North America, and the Caribbean. He gives regular masterclasses, presentations, lecture-recitals, and workshops.

Table of Contents

Take Me Back ; Deep River ; La Dangereuse ; Juba Dance ; Jamaican Dance No. 2 ; Prelude No. 3 ; The Cuckoo ; Scenes from Traditional Life No. 1 ; Scherzino ; Nimble Feet ; Cell Phone Blues ; Papillons ; Variations on an Egyptian Folksong

Additional information

NGR9780193868243
9780193868243
0193868245
Piano Music of Africa and the African Diaspora Volume 3: Early Advanced by William H. Chapman Nyaho
New
Hardback
Oxford University Press
2008-05-29
64
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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Customer Reviews - Piano Music of Africa and the African Diaspora Volume 3