
Dancing Shakespeare by Iris Julia Bührle
Dancing Shakespeare is the first history of ballets based on William Shakespeare’s works from the birth of the dramatic story ballet in the eighteenth century to the present. It focuses on two main questions: "How can Shakespeare be danced?" and "How can dance shed new light on Shakespeare?"
The book explores how librettists and choreographers have transposed Shakespeare’s complex storylines, multifaceted protagonists, rhetoric and humour into non-verbal means of expression, often going beyond the texts in order to comment on them or use them as raw material for their own creative purposes.
One aim of the monograph is to demonstrate that the study of wordless performances allows us to gain a deeper understanding of Shakespeare’s texts. It argues that ballets based on Shakespeare’s works direct the audience’s attention to the "bare bones" of the plays: their situations, their characters, and the evolution of both. Moreover, they reveal and develop the "choreographies" that are written into the texts and highlight the importance of movements and gestures as signifiers in Shakespeare’s plays.
This book will be of interest to students and scholars of literature, dance, and music, as well as to an international readership of lovers of Shakespeare, ballet, and the arts.
-
Critical Acting Pedagogy
-
Grotowski, Women, and Contemporary Performance
-
The Provocation of the Senses in Contemporary Theatre
-
Actor Trainers on Acting
-
1000 Ways to Ask Why
-
D'Oyly Carte
-
360 Circus
-
Religion, Theatre, and Performance
-
Movement Training for the Modern Actor
-
Performance and Performativity of Dalit Students Politics in India
-
The Problems of Viewing Performance
-
Analytic Philosophy and the World of the Play
-
Stand Up
- Performing Pain
-
Theatre and Postcolonial Desires
-
Hypertheatre
-
Moving Relation
- Gorgon in the Blue Room
-
Michael Chekhov’s Pedagogy from Europe to America, Volume I
-
Giving Voice
-
Contemporary Performance and Political Economy
-
Consent in Shakespeare’s Classical Mediterranean
-
Choreographing the North
-
Vladimir Nemirovich-Danchenko and the Moscow Art Theatre
-
Tragic Resistance
-
Performing Climates
-
Performing Violence
-
Navarasas, Autoethnodrama & DIY Immersive Theatre
-
Performing Corporate Bodies
-
Mess and Contemporary Performance
-
Authentic Voice and Speech
-
Stagecraft Rewired
-
The Embattled Academy
-
Brecon’s Hidden Theatre History, 1699–1870
-
Becomings
-
Theatre and Human Rights
-
The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka
-
The Inherent Potential in Art Performance
-
Black Queer Dance
-
Encountering Boris Nieslony
-
The Rise and Fall of Rape on the English Stage
-
Performance
-
Directorless Shakespeare
-
Performing the Transition to Democracy
-
Messy Connections
-
Transfiguring Tragedy
Iris Julia Bührle is a Researcher and Guest Lecturer at Stanford University's Bing Overseas Program.
| SKU | Unavailable |
| ISBN 13 | 9781032796093 |
| Title | Dancing Shakespeare |
| Author | Iris Julia Bührle |
| Series | Routledge Advances In Theatre And Performance Studies |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Routledge |
| Year published | 2024-10-01 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































