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Applied Theatre and Intercultural Dialogue
by Elliot Leffler
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Theatre History Studies 2022, Volume 41
by Lisa Jackson-Schebetta
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Guia para o Theatresports de Keith Johnstone
by Keith Johnstone
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Women on the Stage in Early Modern France
by Virginia Scott (University of Massachusetts, Amherst)
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Scenographic Design Drawing
by Sue Field (Senior Lecturer in Performance Design, UNSW Art and Design, Australia)
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Reassessing the Theatre of the Absurd
by M. Bennett
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How to do Shakespeare
by Adrian Noble
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New Readings in Theatre History
by Jacky Bratton (Royal Holloway, University of London)
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Broadway Talks
by Arvid Sponberg
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Street Scenes
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Performance Affects
by J. Thompson
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Comedy in the Weimar Republic
by William Grange
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The Actor
by Andrew MacKay
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Grief and English Renaissance Elegy
by G. W. Pigman, III
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Theatres of Immanence
by Laura Cull O Maoilearca
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Paradise Regained
by John Milton
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Complicite, Theatre and Aesthetics
by Tomasz Wisniewski
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The Cambridge History of British Theatre
by Jane Milling (University of Exeter)
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Women, Sociability and Theatre in Georgian London
by Gillian Russell (Australian National University, Canberra)
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The Ecologies of Amateur Theatre
by Helen Nicholson
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The Great European Stage Directors Volume 2
by David Barnett (University of York, UK)
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The Cambridge Introduction to Theatre Historiography
by Thomas Postlewait (University of Washington)
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The Choreopolitics of Alain Platel's les ballets C de la B
by Professor Christel Stalpaert
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Moving Shakespeare Indoors
by Andrew Gurr (University of Reading)
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A Dictionary of Stage Directions in English Drama 1580-1642
by Alan C. Dessen (University of North Carolina, Chapel Hill)
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Deviant Acts
by David Cregan
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Border-Crossing and Comedy at the Theatre Italien, 1716-1723
by Matthew J. McMahan
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Performing Arousal
by Professor Julia Listengarten (USA)
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The Drama Workshop Leader
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Restoration Drama and 'The Circle of Commerce'
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Improvisation
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Acting and How to Survive it
by Peter Feeney
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A Pathognomy of Performance
by S. Bayly
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Approaches to Actor Training
by John Freeman
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Playing Companies and Commerce in Shakespeare's Time
by Roslyn Lander Knutson (University of Arkansas)
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Meetings with Remarkable Wo/Men
by Naum Panovski
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Arte y Oficio del Director Teatral En America Latina
by Gustavo Geirola
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Performing Left Populism
by Dr Goran Petrovic Lotina (University of Warwick, UK)
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Michael Chekhov’s Acting Technique
by Sinad Rushe (Central School of Speech and Drama, UK)
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Staging Decadence
by Adam Alston (Goldsmiths University of London, UK)
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Theatre in Market Economies
by Michael McKinnie (Queen Mary University of London)
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Jacques Copeau
by John Rudlin
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Theatre, Intimacy & Engagement
by A. Read
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Dramaturgy
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Goethe's Faust
by Hans Schulte
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Theatres of Learning Disability
by Matt Hargrave
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Digital Scenography
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The Expressive Actor
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