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Approaches to Actor Training
by John Freeman
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Playing Companies and Commerce in Shakespeare's Time
by Roslyn Lander Knutson (University of Arkansas)
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Meetings with Remarkable Wo/Men
by Naum Panovski
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Arte y Oficio del Director Teatral En America Latina
by Gustavo Geirola
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Performing Left Populism
by Dr Goran Petrovic Lotina (University of Warwick, UK)
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Michael Chekhov’s Acting Technique
by Sinad Rushe (Central School of Speech and Drama, UK)
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Staging Decadence
by Adam Alston (Goldsmiths University of London, UK)
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Theatre in Market Economies
by Michael McKinnie (Queen Mary University of London)
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Jacques Copeau
by John Rudlin
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Theatre, Intimacy & Engagement
by A. Read
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Dramaturgy
by Mary Luckhurst (University of York)
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Goethe's Faust
by Hans Schulte
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Theatres of Learning Disability
by Matt Hargrave
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Digital Scenography
by Neill O'Dwyer
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The Expressive Actor
by Michael Lugering
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David Merrick
by Barbara L. Horn
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Summer. Autumn. Winter. Spring. Staging Life and Death
by Quarantine
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This House
by James Graham
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Noel Coward
by Professor Russell Jackson (University of Birmingham, UK)
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Riotous Performances
by Helen Burke
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The Theatre of Suzuki Tadashi
by Ian Carruthers (La Trobe University, Victoria)
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The Great European Stage Directors Volume 7
by Felicia Hardison Londre (University of Missouri-Kansas City, USA)
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The Chinese Theater
by Adolf Eduard Zucker
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Rogue Performances
by P. Reed
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Shakespeare and the Victorian Stage
by Richard Foulkes
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Women and Victorian Theatre
by Kerry Powell (Miami University)
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The Methuen Drama Handbook of Interculturalism and Performance
by Daphne Lei (University of California, Irvine, USA)
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Short Plays From Dickens for the Use of Amateur and School Dramatic Societies
by Charles Dickens Horace Baker Browne
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The Making of the West End Stage
by Jacky Bratton (Royal Holloway, University of London)
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Applied Practice
by Nick Rowe (York St John University, UK)
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Women and Victorian Theatre
by Kerry Powell (Miami University)
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Theatres and Encyclopedias in Early Modern Europe
by William N. West (University of Colorado, Boulder)
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Radical Nostalgia:
by Professor Peter Glazer (Royalty Account)
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The Fool in European Theatre
by T. Prentki
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Theatre and Religion on Krishna's Stage
by D. Mason
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The Cambridge Companion to Shakespeare on Stage
by Stanley Wells
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Cat and the Canary
by John Willard (1885-1942)
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Weyward Macbeth
by S. Newstok
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Brazilian Collaborative Theater
by Aleksandar Sasha Dundjerovic
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Digital Practices
by S. Broadhurst
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The Voice Over Book
by Stephen Kemble
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A Guide to the Baltimore Stage in the Eighteenth Century
by David Ritchey
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Real Theatre
by Paul Rae (University of Melbourne)
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Sex, Class, and the Theatrical Archive
by Alan Sikes
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The Lee Strasberg Notes
by Martin Sheen
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Criticism, Performance, and the Passions in the Eighteenth Century
by James Harriman-Smith (University of Newcastle upon Tyne)
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Acting
by Mary Beth Osnes
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The Medieval European Stage, 500-1550
by William Tydeman (University of Wales, Bangor)
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