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The Stagecraft and Performance of Roman Comedy
by C. W. Marshall (University of British Columbia, Vancouver)
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Early Responses to Renaissance Drama
by Charles Whitney (University of Nevada, Las Vegas)
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Rainer Werner Fassbinder and the German Theatre
by David Barnett (University College Dublin)
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The Cambridge Companion to British Theatre, 17301830
by Jane Moody (University of York)
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Stage Fright, Animals, and Other Theatrical Problems
by Nicholas Ridout (Queen Mary University of London)
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Drama at the Courts of Queen Henrietta Maria
by Karen Britland (University of Wisconsin, Madison)
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The Cambridge Introduction to Scenography
by Joslin McKinney (University of Leeds)
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The Origins of Theater in Ancient Greece and Beyond
by Eric Csapo (University of Toronto)
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Playgoing in Shakespeare's London
by Andrew Gurr (University of Reading)
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The Cambridge Companion to Edward Albee
by Stephen Bottoms (University of Leeds)
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A History of German Theatre
by Simon Williams (University of California, Santa Barbara)
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Actresses and Whores
by Kirsten Pullen (University of Calgary)
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Shakespeare, Law, and Marriage
by B. J. Sokol (Goldsmiths, University of London)
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Theatre, Culture and Temperance Reform in Nineteenth-Century America
by John W. Frick (University of Virginia)
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Contemporary Black and Asian Women Playwrights in Britain
by Gabriele Griffin (University of Hull)
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Modern British Drama: The Twentieth Century
by Christopher Innes (York University, Toronto)
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Theatricality
by Tracy C. Davis (Northwestern University, Illinois)
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The Cambridge Companion to Victorian and Edwardian Theatre
by Kerry Powell (Miami University)
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The Cambridge Companion to Theatre History
by David Wiles (Royal Holloway, University of London)
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Women in British Romantic Theatre
by Catherine Burroughs (Wells College, Aurora, New York )
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English Court Theatre, 1558-1642
by John H. Astington (University of Toronto)
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Albee: Who's Afraid of Virginia Woolf?
by Stephen J. Bottoms (University of Glasgow)
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A Companion to Henslowe's Diary
by Neil Carson
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Sophocles: Oedipus Tyrannus
by Fiona Macintosh (University of Oxford)
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An Introduction to Post-Colonial Theatre
by Brian Crow (University of Birmingham)
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The Royal Court Theatre and the Modern Stage
by Philip Roberts (University of Leeds)
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Theatre and Politics in Nineteenth-Century Spain
by David Thatcher Gies
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Grief and English Renaissance Elegy
by G. W. Pigman, III
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French Theatre in the Neo-classical Era, 1550-1789
by William D. Howarth (University of Bristol)
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British Theatre between the Wars, 1918-1939
by Clive Barker
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Movement Training for the Modern Actor
by Mark Evans (University of Canberra, Australia)
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Performing Race and Torture on the Early Modern Stage
by Ayanna Thompson
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Global Ibsen
by Erika Fischer-Lichte (Free University of Berlin, Germany)
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Representing China on the Historical London Stage
by Dongshin Chang
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The Politics of American Actor Training
by Ellen Margolis (Pacific University)
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Nationalism and Youth in Theatre and Performance
by Victoria Pettersen Lantz
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Contemporary Mise en Scene
by Patrice Pavis (University of Kent, UK)
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Performance and the Politics of Space
by Erika Fischer-Lichte (Free University of Berlin, Germany)
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Dodin and the Maly Drama Theatre
by Maria Shevstova
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Performance and Cultural Politics
by Elin Diamond
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The Paper Canoe
by Eugenio Barba
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Twentieth Century Theatre: A Sourcebook
by Richard Drain
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Collaborative Theatre
by David Williams (Cardiff University, UK)
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Development Projects as Policy Experiments
by Dennis A. Rondinelli
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Avant Garde Theatre
by Christopher Innes
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The Stage and Social Struggle in Early Modern England
by Jean E. Howard
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Revolutionary Theatre
by Robert Leach
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Staging Feminisms
by Anita Singh (Department of English, Faculty of Arts, Banaras Hindu University, India)
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