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The Itinerant; or, Memoirs of an Actor ..; 7
by S W (Samuel William) 1759-1 Ryley
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Ah There!
by Al Thayer
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Program Athenaeum Nation Show [microform]
by Ont ) Athenaeum Club (Toronto
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Towards a New Theatre [microform]
by Edward Gordon 1872-1966 Craig
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Life and Memoirs of William Warren, Boston's Favorite Comedian. With a Full Account of His Golden Jubilee. Fifty Years of an Actor's Life
by Anonymous
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The Drama in Utah
by Horace G (Horace Gibson) 1 Whitney
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Female Performance Practice on the Fin-De-SieCle Popular Stages of London and Paris
by Catherine Hindson
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The Cambridge History of British Theatre
by Joseph Donohue (University of Massachusetts, Amherst)
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Reading the Material Theatre
by Ric Knowles (University of Guelph, Ontario)
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Greek Theatre Performance
by David Wiles (Royal Holloway, University of London)
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British Theatre between the Wars, 1918-1939
by Clive Barker
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Chinese Theatre and the Actor in Performance
by Jo Riley
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Theatre Culture in America, 1825-1860
by Rosemarie K. Bank (Kent State University, Ohio)
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Twentieth-Century British Theatre
by Claire Cochrane (University of Worcester)
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Wilde: Salome
by William Tydeman (University of Wales, Bangor)
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Early Cambridge Theatres
by Alan H. Nelson
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The Theater of Andrzej Wajda
by Maciej Karpinski
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National Theatre in Northern and Eastern Europe, 1746-1900
by Laurence Senelick
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Actors and Acting in Shakespeare's Time
by John H. Astington (University of Toronto)
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A History of Theatre in Spain
by Maria M. Delgado (Queen Mary University of London)
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Religion, Theatre, and Performance
by Lance Gharavi
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Feminist Visions and Queer Futures in Postcolonial Drama
by Kanika Batra (Texas Tech University, Texas, USA)
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The Provocation of the Senses in Contemporary Theatre
by Stephen Di Benedetto
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What's the Story
by Anne Bogart
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African Accents
by Beth McGuire
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Acting: The First Six Lessons
by Richard Boleslavsky
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Development Dramas
by Dia da Costa
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The Contemporary Ensemble
by Duska Radosavljevic
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Performance in Bali
by Leon Rubin
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Performance and Evolution in the Age of Darwin
by Jane Goodall (University of Western Sydney, Australia)
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The Routledge Reader in Gender and Performance
by Fiona Shaw
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From Acting to Performance
by Philip Auslander
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British Realist Theatre
by Stephen Lacey
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The Stage Director's Prompt Book
by Leslie Ferreira
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Cutting Plays for Performance
by Toby Malone
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Verbatim Theatre Methodologies for Community Engaged Practice
by Sarah Peters
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Commedia dellArte for the 21st Century
by Corinna Di Niro (University of South Australia, Australia)
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Text and Performance in Contemporary British Theatre
by Catherine Love
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Curating Dramaturgies
by Peter Eckersall
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The Business of American Theatre
by William Grange
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Wlodzimierz Staniewski and the Phenomenon of Gardzienice
by S. E. Gontarski
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Women and Theatre in the Age of Suffrage
by K. Cockin
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Theatrical Design in the Twentieth Century
by Patrick Atkinson
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Maureen Stapleton
by Jeannie M. Woods
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From Stanislavsky to Barrault
by Samuel Leiter
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Hamlet on Stage
by John Mills
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Theatrical Touring and Founding in North America
by L. W. Conolly
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American Drama
by Clive Bloom
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