
Artaud the Moma by Jacques Derrida
In 1996 Jacques Derrida gave a lecture at the Museum of Modern Art in New York on the occasion of Antonin Artaud: Works on Paper, one of the first major international exhibitions to present the avant-garde dramatist and poet's paintings and drawings. Derrida's original title, "Artaud the Moma," is a characteristic play on words. It alludes to Artaud's calling himself Momo, Marseilles slang for "fool," upon his return to Paris in 1946 after nine years in various asylums while playing off of the museum's nickname, MoMA. But the title was not deemed "presentable or decent," in Derrida's words, by the very institution that chose to exhibit Artaud's work. Instead, the lecture was advertised as "Jacques Derrida ...will present a lecture about Artaud's drawings." For Derrida, what was at stake was what it meant for the museum to exhibit Artaud's drawings and for him to lecture on Artaud in that institutional context. Thinking over the performative force of Artaud's work and the relation between writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and struggle against representation to attempt to hold the museum accountable for trying to confine Artaud within its categories. Artaud the Moma, as lecture and text, reveals the challenge that Artaud posed to Derrida-and to art and its institutional history. A powerful interjection into the museum halls, this work is a crucial moment in Derrida's thought and an insightful, unsparing reading of a challenging writer and artist.-
On Slowness
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The Politics of Perception and the Aesthetics of Social Change
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The Politics and Poetics of Cinematic Realism
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Art and Posthistory
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Music, Madness, and the Unworking of Language
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Photography and Its Violations
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Crowds and Democracy
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The Cultural Space of the Arts and the Infelicities of Reductionism
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Under Suspicion
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Tragic Play
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Afterness
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A Brief History of the Masses
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Sprezzatura
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Things Beyond Resemblance
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Leibnizing
One of Derrida's most extraordinarily deep and and virtuosic texts and one of the best ever written about Artaud-- Denis Hollier, New York University
Jacques Derrida (1930-2004) was one of the twentieth century's most prolific and influential philosophers. He was director at the Ecole des hautes etudes en sciences sociales in Paris and professor of humanities at the University of California, Irvine. Kaira M. Cabanas is associate professor of global modern and contemporary art history at the University of Florida, Gainesville. Peggy Kamuf is Marion Frances Chevalier Professor of French and Comparative Literature at the University of Southern California.
| SKU | Unavailable |
| ISBN 13 | 9780231181679 |
| ISBN 10 | 0231181671 |
| Title | Artaud the Moma |
| Author | Jacques Derrida |
| Series | Columbia Themes In Philosophy Social Criticism And The Arts |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Columbia University Press |
| Year published | 2017-09-19 |
| Number of pages | 112 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |














