
Music, Madness, and the Unworking of Language by John Hamilton
Considers the particular representations that link music and madness, investigating the underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences.-
Artaud the Moma
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On Slowness
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The Politics of Perception and the Aesthetics of Social Change
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The Politics and Poetics of Cinematic Realism
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Art and Posthistory
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Photography and Its Violations
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Crowds and Democracy
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The Cultural Space of the Arts and the Infelicities of Reductionism
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Under Suspicion
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Tragic Play
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Afterness
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A Brief History of the Masses
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Sprezzatura
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Things Beyond Resemblance
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Leibnizing
As a study of a literary obsession, Hamilton's book will remain a key text for those interested in the genesis of the idea of ineffable musicEighteenth Century Music [A] superb book... a living testimony that philological learning and literary sensibility can be happily compatible. -- Herbert Lindenberger Modern Language Quarterly An extremely accomplished work that provides a powerful insight into a potentially important historical topic. -- Ian Miller H-Disability
John T. Hamilton is professor of comparative literature and Germanic literature at Harvard University. The author of Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition (2003), he has also published extensively on German and French literature, aesthetics, and the afterlife of classical antiquity.
| SKU | Unavailable |
| ISBN 13 | 9780231142205 |
| ISBN 10 | 023114220X |
| Title | Music, Madness, and the Unworking of Language |
| Author | John Hamilton |
| Series | Columbia Themes In Philosophy Social Criticism And The Arts |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Columbia University Press |
| Year published | 2008-05-06 |
| Number of pages | 272 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |














