
Beethoven and the Creative Process by Cooper
Beethoven's habit of composing by making large numbers of preliminary drafts and sketches was sufficiently unusual to attract attention even during his lifetime, and his creative process has attracted a good deal more attention since. The present book incorporates the findings of recent studies on this fascinating subject as well as providing many additional new insights. Cooper examines Beethoven's underlying creative motivation and there is and introduction to his compositional methods in general. The final part of the book is a detailed study of particular compositional problems in six different works, selected to provide a wide range of genres, dates, and types of problem. The book as a whole adds considerably to our understanding of one of the greatest figures in the history of our culture.-
RVW: A Biography of Ralph Vaughan Williams
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Interpreting Northern Ireland
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Franz Schubert
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The Gods in Epic
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Interpreting Bach at the Keyboard
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The Social Dimensions of Sectarianism
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Child Victims
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Women in Late Antiquity
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Dalcroze Today
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Homeric Soundings
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A Commentary on Homer's Odyssey: Volume I: Introduction and Books I-VIII
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Roman Marriage
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Public Policy and the Economy since 1900
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Music, Imagination, and Culture
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Early Modern European Witchcraft
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Ludwig van Beethoven
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The Concept of Music
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International Law and the Rights of Minorities
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Plato's Penal Code
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Regime Theory and International Relations
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The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century
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Bounded Rationality in Macroeconomics
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Kafka's Clothes
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The Greek City
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Public Moralists
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The Limits of Empire
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Decline of Donnish Dominion
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The Piano Trio
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Placing the Gods
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Women in Control?
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Music in the Jewish Community of Palestine 1880-1948
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1948 and After
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The Piano Quartet and Quintet
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Performing Music
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George Berkeley
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The Shape of Athenian Law
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The Cavalry of Classical Greece
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Gesualdo
`his new book impresses not only for the quality of some of its insights into the sketches themselves, but for the exceptional clarity of its writing which should open its findings to lay as well as professional readers' Bayan Northcott, The Independent
This study of Beethoven's creative procedures is one of the most original monographs on the composer to appear in recent years.. The book is clearly written, its messages are persuasively argued. It is nicely presented, with footnotes where they belong at the bottom of the page and a generous supply of clearly identified musical examples.' Musical Times
`His book is a work of scholarship, in language the layman can understand ... the best available introduction to Beethoven's composing methods.' Times Literary Supplement
'Cooper provides a very useful guide to the sketchbooks and their use, the visual appearance of the sketches, their typology and interrelationships, and the evidence they provide of Beethoven's approach to the sketching of form, key, melody and the vertical aspects of a composition. It is an arguing for a continuum between sketch and final version, for an understanding of the 'finality' of a published version as an arbitrary status perhaps conferred more by external pressures than by any inherent perfection, that Cooper's admirable book reaches its appropriately inconclusive and challenging end.' Nicholas Marston, Music & Letters
Scholars have been studying Beethoven's unprecedented working methods for over a century now, but none has provided a more comprehensive and accessible account of the sketch material than Barry Cooper ... always writes clear and cogent prose. * Bayan Northcott, BBC Music *
This study of Beethoven's creative procedures is one of the most original monographs on the composer to appear in recent years.. The book is clearly written, its messages are persuasively argued. It is nicely presented, with footnotes where they belong at the bottom of the page and a generous supply of clearly identified musical examples.' Musical Times
`His book is a work of scholarship, in language the layman can understand ... the best available introduction to Beethoven's composing methods.' Times Literary Supplement
'Cooper provides a very useful guide to the sketchbooks and their use, the visual appearance of the sketches, their typology and interrelationships, and the evidence they provide of Beethoven's approach to the sketching of form, key, melody and the vertical aspects of a composition. It is an arguing for a continuum between sketch and final version, for an understanding of the 'finality' of a published version as an arbitrary status perhaps conferred more by external pressures than by any inherent perfection, that Cooper's admirable book reaches its appropriately inconclusive and challenging end.' Nicholas Marston, Music & Letters
Scholars have been studying Beethoven's unprecedented working methods for over a century now, but none has provided a more comprehensive and accessible account of the sketch material than Barry Cooper ... always writes clear and cogent prose. * Bayan Northcott, BBC Music *
| SKU | Unavailable |
| ISBN 13 | 9780198163534 |
| ISBN 10 | 0198163533 |
| Title | Beethoven and the Creative Process |
| Author | Cooper |
| Series | Clarendon Paperbacks Ser |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Oxford University Press |
| Year published | 1992-11-19 |
| Number of pages | 336 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |





































