
The Big Fish by Anna Bonshek
Considers the Vedic approach to consciousness, referencing Maharishi Vedic Science, and discusses themes pertinent to the arts, including perception and cognition, memory as awareness, history and culture, and others. This book includes essays by various authors on Agnes Martin and her views on art, perfection and the Classic, and others.-
Picturing Mind
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Cyberculture, Cyborgs and Science Fiction
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Beyond Bodies
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Observing Theatre
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Utopia and Consciousness
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Zones of Re-membering
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Corporeality: Emergent Consciousness within its Spatial Dimensions
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Theatre, Opera and Consciousness
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Joys and Sorrows of Imaginary Persons
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Integral Drama
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Screen Consciousness
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Patterns of Creativity
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The Rhythm of Space and the Sound of Time
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The Image in French Philosophy
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Restoration of Breath
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Innovation and Visualization
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Metaphors, Narratives, Emotions
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Fluxus
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Conscious Theatre Practice
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Cognitive Iconology
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Stravinsky, God, and Time
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Art and Identity
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Agents of uncertainty
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The Subject of Aesthetics
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Touching Surfaces
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Strindberg and the Quest for Sacred Theatre
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Framing Consciousness in Art: Transcultural Perspectives
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Presence of the Body
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The Persistence of the Human
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Art and the Brain
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Scanning the Hypnoglyph
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Between Play and Prayer
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In Quest of the Self
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Art and Adaptability
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Cognition in Emotion
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Frameworks, Artworks, Place
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Reading Coetzee
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Spike Milligan's Accordion
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Movement as Meaning in Experimental Film
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Presence in Play
| SKU | Unavailable |
| ISBN 13 | 9789042021723 |
| ISBN 10 | 9042021721 |
| Title | The Big Fish |
| Author | Anna Bonshek |
| Series | Consciousness Literature And The Arts |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Brill |
| Year published | 2007-01-01 |
| Number of pages | 416 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |







































