
Reading Coetzee by Elizabeth Macfarlane
Just as J. M. Coetzee’s post-2003 books present essays and narrative alongside one another, this book engages with its ideas through both critical and creative writing. Reading Coetzee interleaves critical essays on Coetzee’s works with an autobiographical narrative detailing MacFarlane’s more personal response to her reading and writing. The presentation of elements of the creative with the critical, and the critical within the creative, aims to challenge the traditional boundary between the two. This kind of methodology derives from the idea (and practice) of embodiment: that an idea or philosophy does not ‘float free’, but is tied to the idiosyncrasies, divergences, and subjective ‘travel’ of its speaker or writer.Coetzee’s Elizabeth Costello, Slow Man and Diary of a Bad Year explicitly address themes which abide more surreptitiously throughout his oeuvre: the divisions and paradoxes which occur the moment pen gains page, the value of literature, and the ethics of embodiment. In revealing the dialogue between writer-self and reader-self, and between author and character, these recent novels invite a rereading of Coetzee’s previous literature. Reading Coetzee explores Coetzee’s preoccupation with the act of writing using his recent books as a lens through which to view his eight previous novels as well as his memoirs and essays.
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Picturing Mind
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Cyberculture, Cyborgs and Science Fiction
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Beyond Bodies
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Observing Theatre
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Utopia and Consciousness
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Zones of Re-membering
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Corporeality: Emergent Consciousness within its Spatial Dimensions
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Theatre, Opera and Consciousness
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Joys and Sorrows of Imaginary Persons
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Integral Drama
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Screen Consciousness
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Patterns of Creativity
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The Rhythm of Space and the Sound of Time
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The Image in French Philosophy
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Restoration of Breath
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Innovation and Visualization
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The Big Fish
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Metaphors, Narratives, Emotions
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Fluxus
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Conscious Theatre Practice
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Cognitive Iconology
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Stravinsky, God, and Time
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Art and Identity
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Agents of uncertainty
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The Subject of Aesthetics
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Touching Surfaces
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Strindberg and the Quest for Sacred Theatre
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Framing Consciousness in Art: Transcultural Perspectives
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Presence of the Body
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The Persistence of the Human
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Art and the Brain
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Scanning the Hypnoglyph
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Between Play and Prayer
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In Quest of the Self
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Art and Adaptability
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Cognition in Emotion
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Frameworks, Artworks, Place
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Spike Milligan's Accordion
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Movement as Meaning in Experimental Film
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Presence in Play
”My impression is that this is a significant and daring workIt is a rare and refreshing pleasure to read an academic book where the writer is willing to put herself on the line, not only through her assessment of someone else, but by writing stories and creative non-fiction that relate to her main line of investigation. (It turns out that some of those who teach also can do). This makes everything matter to the reader because it all clearly matters to and affects Elizabeth MacFarlane. Her enterprise is not a pursuit of status but a pursuit of understanding and fuller living.” – Per K. Brask, University of Winnipeg, Canada
Elizabeth MacFarlane is a writer and researcher in the Creative Writing department at the University of Melbourne.
| SKU | Unavailable |
| ISBN 13 | 9789042037014 |
| ISBN 10 | 9042037016 |
| Title | Reading Coetzee |
| Author | Elizabeth Macfarlane |
| Series | Consciousness Literature And The Arts |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Brill |
| Year published | 2013-01-01 |
| Number of pages | 192 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |







































