
The Cinematic Eighteenth Century by Srividhya Swaminathan
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space. Topics range from adaptations of Austen’s Sense and Sensibility and Defoe's Robinson Crusoe (The Martian) to historical fiction on the subjects of slavery (Belle), piracy (Crossbones and Black Sails), monarchy (The Madness of King George and The Libertine), print culture (Blackadder and National Treasure), and the role of women (Marie Antoinette, The Duchess, and Outlander). This interdisciplinary collection draws from film theory and literary theory to discuss how film and television allows for critical re-visioning as well as revising of the cultural concepts in literary and extra-literary writing about the historical period.
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Cinematic Emotion in Horror Films and Thrillers
- Social Connection through Film and Natural Environments
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The Woman's Film of the 1940s
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India's New Independent Cinema
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African Documentary Cinema
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Dalit Representation in Popular Hindi Cinema
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Cinema and the Dream of the Living Machine
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India’s Women Filmmakers in the Age of Netflix
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Narratives of Cultural Identity in Contemporary Arab Cinema
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Posthumanism, Cognition, and Cyborg Spectatorship
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Place and the Moving Image
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River Space in Contemporary Chinese Cinema
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The Disaster Film as Social Practice
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American and Chinese-Language Cinemas
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New Approaches to Cinematic Space
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Found Footage Horror Films
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Cosmopolitan Aspirations in Contemporary Cinema
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Cinema of/for the Anthropocene
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Eco-Teen Films
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Centring Women in Bollywood Biopics
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Animal Advocacy Documentaries in the Twenty-first Century
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Film Comedy and the American Dream
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The Other in Contemporary Migrant Cinema
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Hollywood Action Films and Spatial Theory
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Rashomon Effects
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Spectacle in Classical Cinemas
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Affect and Embodied Meaning in Animation
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Melancholy Emotion in Contemporary Cinema
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Film and the American Presidency
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Eco-Trauma Cinema
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Emotion in Animated Films
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Iranian Cinema in a Global Context
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Ecocinema in the City
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Film Text Analysis
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Cinema as Weather
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Surveillance in Asian Cinema
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American Documentary Filmmaking in the Digital Age
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Ageing Masculinities in Contemporary European and Anglophone Cinema
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American Masculinities in Contemporary Documentary Film
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Collective Trauma and the Psychology of Secrets in Transnational Film
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Indian Cinema Beyond Bollywood
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Hollywood Melodrama and the New Deal
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Postwar Renoir
Srividhya Swaminathan is Professor of English at LIU Brooklyn, USA. Her primary field of research is the rhetoric of eighteenth-century slavery studies and social movements. Her monograph, Debating the Slave Trade (Ashgate 2009), and co-edited collection, Invoking Slavery in the Eighteenth-Century British Imagination (Ashgate 2013), engage with slavery in a transatlantic context.
Steven W. Thomas is Associate Professor of English at Wagner College, USA, where he teaches American literature, theory, and film studies. He has published several scholarly essays about the transatlantic eighteenth century and in 2016, he was a Fulbright Scholar in the graduate film program at Addis Ababa University in Ethiopia.
| SKU | Unavailable |
| ISBN 13 | 9781138633995 |
| ISBN 10 | 1138633992 |
| Title | The Cinematic Eighteenth Century |
| Author | Srividhya Swaminathan |
| Series | Routledge Advances In Film Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Routledge |
| Year published | 2017-07-27 |
| Number of pages | 196 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |









































